A Quote by Sallie Patrick

We have to have humor to survive 22 episodes a year of network television. — © Sallie Patrick
We have to have humor to survive 22 episodes a year of network television.
Truthfully, the process of making 22 episodes of television a year is not very pleasant.
When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.
Look, we can definitively agree that cable is far superior to network. That isn't to say that there can't be a great network drama or comedy that makes 20-plus episodes a year. We know that there are, and there have been.
The territory has changed, and a lot of really good actors want to do cable series, but they don't necessarily want to do network TV and make the commitment of 22 episodes or whatever. They find that the liberties and the creative freedoms that you get in cable is more interesting to them than the censorship of a network show.
At our best, it's a good experience but we do 22 episodes a year, so there are some clunkers.
It's impossible to make 22 or 16 great episodes every year. It doesn't matter who you are or how talented of a group you have.
When you're doing 22 shows on network television, the writers are going on vapors towards the end and, as an actor, you're just trashed by the end.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
Television is my home. It's a special breed of person that can do nine months on and three months off, with 22 episodes of one-hour shows. It's very hard work. It can be a grind. It's not a grind for me. I relish in that.
How that works is our first season was the year we had a threatened writers' strike, so what we did was that instead of doing 22 episodes, we did 30. We put 10 in the bank.
Normally, if you do a television show, it's 25 episodes. Your year is kind of shot, you know what I mean?
The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.
Cable shows do 13 episodes. I get that. I can wrap my head around 13 episodes. You make them all, you post them all, and then you get to air them. The network cycle is way more intense. There's more episodes.
I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
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