A Quote by Sally Field

I started to repeat to myself "If I'm not where I want to be, it's because I'm not good enough... yet." Which meant it was up to me. — © Sally Field
I started to repeat to myself "If I'm not where I want to be, it's because I'm not good enough... yet." Which meant it was up to me.
When I was younger, I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
When I was younger I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
I wasn't going to have enough money to pay for a Good Lifestyle, which meant I'd feel ashamed, which meant I'd get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn't get out of bed, which led to the ultimate thing—homelessness. If you can't get out of bed for long enough, people come and take your bed away.
I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."
It's funny, I get a little quieter with time. I don't want to chase my tail and one day repeat myself and repeat myself and one day have kids going to college and not have memories that I should, because I was too busy doing my thing.
I put myself in a position where I made wrestling an option for me. I don't have to wrestle. I don't have to take another shot for the rest of my life if I don't want to. I have good enough hands, good enough boxing, good enough timing to strike with anybody in our division.
As a youth, I hated myself for not being good enough. All my inadequacies and failures, not being kind enough, generous or understanding enough, would assail me at night. It became a habit to be guilty and self castigating, not liking myself because I was unworthy... I really tortured myself.
After I started Slipknot, I was very honored because I got in touch with the masses. But I was very down on myself because I dropped out of college, which meant I dropped out on myself.
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
Repeat your winners. If you are lucky enough to write a good advertisement, repeat it until it stops selling. Scores of good advertisements have been discarded before they lost their potency.
After a decade I became fed up with the strobe because I had done almost everything once and I didn't want to repeat myself.
I do not want any child in America to have my childhood because it was taken away from me because I just wasn't good enough; well I am good enough now.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
J_Doe032692 wrote: I am not a thin person. However this does not give people the right to taunt me, calling me ugly and worthless, telling me to kill myself because no one will ever want me, or to make up songs about why I am so fat and how much food I eat. NO ONE, I repeat, NO ONE HAS THE RIGHT TO HURT ANOTHER HUMAN BEING THIS BADLY. My throat constricts. The neck brace feels as if it's shrinking and cutting off my esophagus. I reach up and cover the words with my hand and the web site dissolves. I want to go. Now.
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me?and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.
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