A Quote by Sally Kirkland

I taught Sandra Bullock when no one knew who she was. I talked her out of quitting. I put her in a showcase. — © Sally Kirkland
I taught Sandra Bullock when no one knew who she was. I talked her out of quitting. I put her in a showcase.
I love Sandra Bullock. I think everybody loves her.
It was not enough to be the last guy she kissed. I wanted to be the last one she loved. And I knew I wasn’t. I knew it, and I hated her for it. I hated her for not caring about me. I hated her for leaving that night, and I hated myself , too, not only because I let her go but because if I had been enough for her, she wouldn’t have even wanted to leave. She would have just lain with me and talked and cried, and I would have listened and kissed at her tears as they pooled in her eyes.
At this critical time, I am grateful to Sandra Bullock for once again demonstrating her leadership, compassion and belief in our global humanitarian mission. Sandra continues to enable our lifesaving work and is a model for personal generosity.
I knew from reading about Sarah Grimke that she'd been given a handmaid to be her personal slave and that her name was Hetty. The only other fact I knew about her was that Sarah taught her to read: They conspired in a very subversive way, by locking the door and screening the keyhole.
Part of Clary wanted to lean sideways and put her head on her mother’s shoulder. She could even close her eyes, pretend everything was all right. The other part of her knew that it wouldn’t make a difference; she couldn’t keep her eyes closed forever.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
I always told, Sandra Bullock was my student when she was younger, I always told her it's important that we hold on to our insecurity, the wisdom of insecurity.
The world taught women nothing skillful and then said her work was valueless. It permitted her no opinions and said she did not know how to think. It forbade her to speak in public and said the sex had no orators. It denied her the schools, and said the sex had no genius. It robbed her of every vestige of responsibility, and then called her weak. It taught her that every pleasure must come as a favor from men and when, to gain it, she decked herself in paint and fine feathers, as she had been taught to do, it called her vain.
She hated that will had this effect on her. Hated it. She knew better. She knew what he thought of her. That she was worth nothing. And still a look from him could make her tremble with mingled hatred and longing. It was like poison in her blood, to which Jem was the only antidote.
I used to be in love with Sandra Bullock when I was growing up. Sandy B. was my girl. I remember seeing Speed when I was in seventh grade and just thinking, 'That's her.'
Hats change everything. September knew this with all her being, deep in the place where she knew her own name, and that her mother would still love her even though she hadn’t waved goodbye. For one day her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
When we were making 'Toy Story,' my grandmother was very ill, and she knew she was not going to make it. I went back to visit her, and there was a moment during that visit that I had to say goodbye, and I knew I'd never be seeing her again. I looked at her and knew that I was looking at her for the last time.
... until Miri could not help it any longer and she laughed out loud. The sound broke the game. Peder looked at her. He reached out, and she thought he meant to grab her straw or perhaps yank her hair as he used to when they were little. But her put his hand behind her head and, leaning forward, pulled her face to his. He kissed her. One long, slow kiss.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
She walked quickly around her one-room apartment. After more than four years in this one home she knew all its possibilities, how it could put on a sham appearance of warmth and welcome when she needed a place to hide in, how it stood over her in the night when she woke suddenly, how it could relax itself into a disagreeable unmade, badly-put-together state, mornings like this, anxious to drive her out and go back to sleep.
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