A Quote by Sally Mann

My main interest was finding boyfriends. I'd park myself in the bookstore and read with one eye on everyone coming in. — © Sally Mann
My main interest was finding boyfriends. I'd park myself in the bookstore and read with one eye on everyone coming in.
I'd park myself in the bookstore and read with one eye on everyone coming in. I remember reading a Robert Bly book of poetry.
I'm an inveterate bookstore wanderer. I read constantly, so I love a good bookstore. I can't help it.
I picked up 'On Moral Fiction' in the bookstore and looked up myself in the index, but I didn't read it through. I try not to read things that depress me.
Writing is a bit like walking into a big bookstore. It's the bookstore of your brain, and you know you're never going to read all those books. It makes you happy you're in the bookstore, and you're nervous because you know you're never going to read all those books. So the nervousness is also happy. Once I get going writing poetry is one of the happiest things I do, but it is also fraught with all of these anxieties.
He has no right to threaten my boyfriends. I'm eighteen. An adult. I don't need his help. I can threaten my boyfriends myself.
In Poland, the whole saying is, 'You've got one eye to Morocco and the other to the Caucasus.' That's the heart of the culture. In England, they say it less romantic: 'You've got a wandering eye.' The saying means my main stream in life must be Deep Purple. That's my main job. Then every now, and I can wander off and have one eye to Morocco.
I never read the "Bobbsey Twins" or "Boxcar Children."But I did remember being downtown, at the bookstore by myself and having an allowance and spending it on a Nancy Drew mysteries. And I was probably eleven, twelve.
In the middle years of childhood, it is more important to keep alive and glowing the interest in finding out and to support this interest with skills and techniques related to the process of finding out than to specify any particular piece of subject matter as inviolate.
My main concern is meeting with public because my main commitment, main interest is promotion of human value, human affection, compassion and religious harmony.
The things that interest me are less to do with perhaps finding myself and more to do with surviving and mercy and forgiveness.
The daily quota I've set for myself is 500 words or approximately a page and a half double-spaced. Which isn't much, except that I'm extremely slow, extremely meticulous. 'Le mot juste' haunts me. On a good day, I will finally secrete the 500th word at about 5 o'clock, and I'll reward myself by going to Housing Works Bookstore to read.
If you take guys like Exequiel Bustillo, the architect who designed the early park infrastructure in Argentina, or the great American architects, these guys had a vision that thrust the national park idea into the public eye.
I am driven by love and I have been in love with a handful of different people, men and women. It's like, if you go to a bookstore and you know exactly what kind of book you want, you have to look it up in the system because it's in a specific section of the bookstore. I fit into a handful of sections in the bookstore.
I pulled myself up and told myself to stop these ridiculous thoughts, wondering why it is that we can never stop trying to analyse the motives of people who have no personal interest in us, in the vain hope of finding that perhaps they may have just a little after all.
A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.
Painting is a matter of finding the right balance between consoling and reassuring the eye and challenging and disturbing the eye.
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