A Quote by Sally Mann
Like all photographers, I depend on serendipity, and when you're photographing children there's often an abundance of it. I would have an idea of what a photograph would look like and then something would happen - a dog might lumber in and become a critical element. I pray for what might be referred to as the angel of chance.
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Like all photographers, I depend on serendipity I pray for what might be referred to as the angel of chance.
The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
People think that alien spaceships would be solid and made of metal and have lights all over them and move slowly through the sky because that is how we would build a spaceship if we were able to build one that big. But aliens, if they exist, would probably be very different from us. They might look like big slugs, or be flat like reflections. Or they might be bigger than planets. Or they might not have bodies at all. They might just be information, like in a computer. And their spaceships might look like clouds, or be made up of unconnected objects like dust or leaves.
A fanatic commits to an ideal to whatever end. A fanatic throws everything aside to pursue their idea. Take something which it would be good to be committed to, like basic human rights. You might campaign for such a thing. You might spend every day of your life pursuing such a thing. But once you become fanatical about it, anything can happen.
There is something within me that might be illusion as it is often case with young delighted people, but if I would be fortunate to achieve some of my ideals, it would be on the behalf of the whole of humanity. If those hopes would become fulfilled, the most exciting thought would be that it is a deed of a Serb.
You become what you think about most. When you continually focus on the fear of failure, failure will become real for you. Look instead at the possibilities. Look at what could happen if only you would attempt it. Sure, it might not succeed completely. Yet even then you will learn something.
I don't like to photograph children as children. I like to see them as adults, as who they really are. I'm always looking for the side of who they might become.
You pray in your distress and in your need; would that you might also pray in the fullness of your joy and in your days of abundance.
I knew, in the silence that followed, that anything could happen here. It might be too late: again, I might have missed my chance. But I would at least know I tried, that I took my heart and extended my hand, whatever the outcome. "Okay," he said. He took a breath. "What would you do, if you could do anything?" I took a step toward him, closing the space between us. "This," I said. And then I kissed him.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
The worst fear in the hearings was that you would get some evil interrogator: you could never know what might happen then. No one who lives in a free country will ever understand that kind of fear. What is most horrifying is the realization that you have no idea what can happen, that your life is totally in the hands of someone in the chair in front of you, someone might well be a demon.
Wouldn't it be most logical for her to change herself into a living thing, like a cat or dog, a bird or mouse?' That would be the easiest transformation, but Risto is above doing something simple.' Still, I'd be happier if Dibl would quit eating those bugs. Dibl, stop it. You might eat Gilda.
If we practice hard enough, we can become thoroughly interested in even the simplest things of daily life, the way a child would. The smallest things would become so meaningful, they might even be worth a few words or a photograph, whatever method you use to capture them.
The heartbreak that it might not happen wasn't something that I wanted to face with any more weight. Then, when I got the call to go ahead I never thought for a second as I was approaching it who I would get - that would come later. Again, I think the idea was that I now had the rights to make the movie and I can start writing it but if I have to wait another 10 years before I find an actor that's right for it, I'd be very happy to do that.
I don't think you would find any player in the Bundesliga who would say that they would not at all be interested. Chelsea would have been very interesting for me. You don't get a chance like that very often in your life.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
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