A Quote by Sally Mann

I don't like memoirs. I think they're self-serving, and people use them to settle scores, and I really tried not to do that. You have to have a really interesting life to justify memoir, and my life has been pretty ho-hum.
A lot of presidential memoirs, they say, are dull and self-serving. I hope mine is interesting and self-serving.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
Much of my publishing life was consumed by the memoirs of movie stars - or by attempts to get them to write a memoir.
I spend so much time like living in the past or the future. I mean, I think most people do, really. And the moments when you're really present in your life can be pretty rare, really.
The memoir as a somewhat indistinct form is absolutely true. So many of the memoirs I've read, and the ones I have gravitated toward most, somehow upend what I expect from memoir and the project seems greater than just the exposition of a life.
I think people are uncomfortable seeing pregnant women, particularly with any kind of conflict. [Pregnancy is] very much a projection of life and love, but it's also very complicated. People have very complicated pregnancies. They could be accidental or people suffer depression, and that was a really interesting thing for me. And a challenging thing. I have not been pregnant. I don't know what that's like, let alone to be really conflicted about it. Acting in the film about pregnancy was a really interesting thing to do.
I think that we are passionate creatures who really live our fullest life when we are deeply engaged, when we feel successes, and exult in them, when we feel losses and tragedies and are hurt by them. So I came to the conclusion that Eastern ideas of withdrawal may not be right for modern Westerners. If you read the ancient texts, they're pretty severe. I mean, they really are not the sort of thing that you would think compatible with really throwing yourself into life and being a part of it.
I've always been someone who's really tried to live in the here and now. My memory isn't very good so maybe that's why, but it just seems like I've been living this life, my current chapter, for a really long time and I don't really remember what it was like before. It's just been sort of ingrained in me. What I deal with day to day.
There are some really great books that have been written about slavery, but I don't think that the discourse about it in society has been very accurate or healthy. I don't think we've come up with ways to tell it that don't insult people or hit them in the wrong way. Part of the problem is that most people don't really understand what slavery was anyway. Most white people didn't own slaves. Slavery was a way of life, just like driving cars is a way of life now. It doesn't mean that it was right.
I think there are a lot more people that don't use Pinterest in the world than do use it, so for most people, that first experience is really, really important. I think feeling really close and in touch with that first user experience is pretty basic to making it better every day.
I've been teaching classes on memoirs since 1986, and I've been reading them all my life, and I think that I would like to write a critical book that might have some of those how-to elements in it.
You can slow time down by traveling. That month from Shringar to the Taj Mahal is like a year in my life currently. Really, time is a measure of change, in a vacuum time doesn't exist because nothing's changing. If you can pack your life full of interesting changes you stretch it out. So if you want to live longer, have a really interesting life.
I have to say in premise 'Winter Journal' is really not a memoir. And I don't even think of it as an autobiography. I think of it as a literary composition - similar to music - composed of autobiographical fragments. I'm really not telling the story of my life in a coherent narrative form.
I think, on the rap side of life, I've always been inspired by and respected Missy Elliott for a long time. She's funny and created an image for herself that was non-sexualized but was really interesting and really cool and really kind of avant-garde in a lot of ways.
Working with somebody who has a more interesting life than I do - and getting to take on that life temporarily - is an endlessly interesting way to have the experience of writing memoir.
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