A Quote by Sally Mann
I remember when the family album came out, people would just knock on our door because they thought they knew us, and that, of course, is one of the great hazards.
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When the opportunity came along to do the reality show, it was just a very exciting time. We really never thought about how it would pan out for the entire family but just knew that it was going to be a great journey.
Let us open wide the windows of our hearts, that each family member may feel welcome and 'at home.' Let us open also the doors of our very souls, that the dear ________ may enter. Remember His promise: 'Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him' (Revelation 3:20).
In my house, we couldn't listen to 'Love to Love You Baby.' It was way too salacious back in the day. I remember my mom would turn the station off when that song came on the radio. But, of course, I played my album to death in my bedroom, with the door closed.
We grew up as this family of deniers. And people who knew us for years were stunned when "The Great Santini" came out because we had this appearance of being this happy, large, smiling family. We were taught to smile, put the best face forward. And so when the book ended up - Dad swatting us around the room, no one believed me.
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
...I also have an extended family. The people who stayed. The people who became more than friends; the people who open the door when I knock. That's what it all boils down to. The people who have to open the door, not because they always want to but because they do.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
I didn't come out for 21 years because I thought that everything I wanted to do with my life - have a family, get a great job, make a change in this world - that the moment I came out, that I would not be able to do any of those things.
Of course I was in love with my father as a child. He was Daddy, and our house came alive in a special way whenever he walked through the door. He'd romp and play with us; my sisters and I would literally squeal with excitement when Daddy came home.
I would say my favorite is probably the 'Colder' video. Just because that sort of brings the album artwork to life. It's not my favorite song on the album, but visually, I think it just came out exactly how I had it in my head.
I paused outside your door to see if you were awake, and you clearly were, so I came in." "You still can't just barge in." I crossed my arms over my chest. "Would you like me to go back out and knock?" Loki gestured to the doors behind him. "Would that make you feel better?
I grew up in Russia. We had a telephone line, but a load of our neighbours didn't. It became a shared resource for the whole apartment complex. People would come and knock on the door and ask to call their family in another city.
I had met Michael Stipe, and he was such a kind person, and extremely understanding, so I asked him if he knew a photographer who would come to Detroit, where I lived, who would be child friendly and who would respect my home. Michael suggested Steven [ Sebring]. One day a knock came at my door, and when I opened it, there was Steven. He's been like a brother ever since.
I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.
I remember, when I lived in a refugee camp, it was the people who weren't Somali, the people who came from Western countries, who helped the most. I remember being six and thinking, 'I want to be one of those women,' because I knew how much they helped us.
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