A Quote by Sally Mann
It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
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Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
Never ever say the word shoot when you are taking a picture with a camera because a camera is not a violent weapon.
Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.
I guess I'd be put in the ID politics camp. But there is really nothing in the world-view of, say, Bernie Sanders I actually disagree with. I'd like a guaranteed income, single-payer health care, a stronger safety net, etc. The problem is the temptation to paper over historically fraught issues to achieve that is tempting.
I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
One time, I put up 40, 50 points dunking on Shawn Bradley. After the game, he brought his family over. He was like, 'This is my wife. She wants to take a picture.' I'm like, 'Nice to meet you.' I smile into the camera, take the picture, and then feel guilty about dunking on him so many times.
Some acts are tricky. Eartha Kitt was tricky in a wonderful, old-style way. She did yoga on the piano and put her hands over her ears when the other acts were on.
I use an 8 x 10 view camera. All other cameras are just toys.
Never shop alone for your bridal dress. Take a friend and bring a camera to take a picture of you. Make sure to get a picture of the back view: that's the part of the dress most people are going to see for the longest time.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
I was shocked the first time the paps got me in America - when a video camera is put in your face and you're asked questions and 15 people are walking backwards taking your picture. I was coming out of a pizza shop and had my daughter with me.
People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?
When my career in hotels was taking off in the Nineties, I went to work as a head baker in Cyprus, where I was making Danish pastries every day. I can remember that the head chef was always on my back to put more seasonal fruits in with the creme patissiere. I'd even make them with rhubarb.
I really care about what I put out, and probably more than the fans care. At times, I think I over-care. But I just know that the body of work has such a high standard that it's kind of like, in my own head, I need to at least match it if not get over that, so that's the challenge.
An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished.
Like in comedy, you know the names of the people who steal things that others work really hard on. It really sucks. And, in magic, it's not just the hard work of getting the words and attitude and point of view right; you're taking an actual invention, making something over three or four years, and somebody can just take it.
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