A Quote by Sally Phillips
I would love to have been around in the Keystone Studios days.
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I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
Not since the days of George W. Bush's 'Clear Skies' and 'Healthy Forests' initiatives has America been presented with a project as cravenly corporate and backward-looking as the Keystone XL pipeline.
The Nobel Prize has been a disturbance at the beginning of October for some years. It would be gratifying to win, but it would be quite an ordeal, too, with all the events which go on for two days. I'd think carefully about what I was doing the day it is announced and maybe not be around, or be around, but elsewhere.
But remember this: all of these people that we're talking about, they're friends of mine. They all love the Keystone Pipeline, right?
The Keystone Pipeline is all eminent domain. They're building that pipeline without eminent domain, you wouldn't be able to build.
I've been hanging around movie sets and recording studios since I can remember.
The Keystone Pipeline would create good-paying jobs. Not only where the pipeline is being built, good-paying construction jobs, but manufacturing and service opportunities in Colorado along with the Keystone Pipeline.
In the silence of their studios, busied for days at a time with works which leave the mind relatively free, painters become like women; their thoughts can revolve around the minor facts of life and penetrate their hidden meaning.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
In the contract days, the big studios groomed us to play particular roles and we would stay with the image they gave us and insisted on.
I hadn't been there [Comic-Con] before. It's pretty eye-opening, when you haven't been there, just with the sheer amount of fans that are there for different shows and films. It's like a big fan symposium, in a way, as well a way for film studios and television studios to really promote their product to their loyal audience base. It was an experience.
I would walk down the street and people would scream from their cars at me and, generally, I'd turn around and it's a 13-year-old girl. And it's funny because that is the audience that I think big studios are always trying to target.
She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.
Things have changed from the old days when movie studios encouraged stars to partner up for publicity. There's been some pressure from Disney Channel for people to not have a personal relationship with their business partners.
The Book of Mormon is the 'keystone' of our religion, and the Doctrine and Covenants is the 'capstone,' with continuing latter day revelation. The Lord has placed His stamp of approval on both the keystone and the capstone.
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