A Quote by Sally Potter

As the director, you have to hold in your head the widest possible vision. Not just the idea and the story, but the conceptual content. But at the same time, you have to consider the tiniest, tiniest detail.
Why can we remember the tiniest detail that has happened to us, and not remember how many times we have told it to the same person.
I prepare everything in the tiniest detail. My diet, how I train. This has been my secret.
Sometimes just the tiniest allocation of time spent with a friend, imprints on your mind and gives you something to smile about for the rest of the week, month, or your life!
The really big difference is that what you make with a molecular machine can be completely precise, down to the tiniest degree of detail that can exist in the world.
But flowers feed our soul in a different way. They remind us of a God who creates beautiful things and takes notice of the tiniest detail
We cannot afford to be idle. To act on a bad idea is better than to not act at all. Because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand, and pray will not be extinguished by all the storm that howls about it. If you could hold onto that flame, great things could construct around it, that are massive and powerful and world changing, all held up by the tiniest of ideas.
When you make a movie for a really low budget, it makes you really strict. You have to plan things down to the tiniest detail.
The Head of Story is defined differently for each film. But I found that the role for me was to support the director's vision, and to be a conduit to the story team - and managing that team to realize the vision.
[...] even in the cruelest human being there can exist a flower of good. Maybe just the tiniest blossom, in need of water and sunlight, but a flower just the same.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
As a screenwriter, you always have frustrations. It's just the nature of the job, and you have to live with it. Your vision is not going to be the same as the director's vision. It doesn't mean one is better or worse; it means they're different.
The only time I even entertain the tiniest element of religion is for Christmas carols.
Anything you do from the soulful self will help lighten the burdens of the world. Anything. You have no idea what the smallest word, the tiniest generosity, can cause to be set in motion...Mend the part of the world that is within your reach.
My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic. If you stop asking what they mean, or what they remind you of, and just look at them for 29 seconds, you find that they want to explain themselves and show you how much every tiniest detail is related to the whole.
I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.
The way life runs through everything, even the tiniest elements of nature - that makes me humble. It's the same humility that causes people at a certain time every day to get on their knees and put their foreheads on the ground in honor of something or someone.
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