A Quote by Sally Rooney

Dialogue is the most fun to write. It's kind of like a tennis match. — © Sally Rooney
Dialogue is the most fun to write. It's kind of like a tennis match.
Tennis was never work for me, tennis was fun. And the tougher the battle and the longer the match, the more fun I had.
It's too much pressure. You have to think match by match and moment by moment or it drives you to distraction. I'm tired of all the talk about it. Everyone is obsessed with it...If I was the type of person who had tennis, tennis, tennis all the time and I went to bed and ended up dreaming about tennis, I would go nuts.
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words ? if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night ? do you see both the humor and the volley in the tennis match?
It's fun to intentionally write bad dialogue. It's not so fun when you do it, but didn't mean to.
People in tennis, they've been in a certain bubble for so long they don't even know who they are, because obviously it's just been tennis, tennis, tennis. And let it be just tennis, tennis, tennis. Be locked into that. But when tennis is done, then what? It's kinda like: Let's enjoy being great at the sport.
You have to have brilliant people to work opposite, and then it does become like a real tennis match and this is our sport. With somebody like Mark Lewis Jones, who is extraordinary anyway, you just know it's going to be a good match.
When I'm playing my best, like I was at the U.S. Open, I feel on top of the match and able to do exactly what I want. There are other times when you're not in control, but that is tennis and you have momentum changes in every single match.
I think, for me, I just really want to have fun with every match that I play because tennis is a game.
Never give up. Take what life throws at you and throw it right back. If life keeps throwing then you have a tennis match going. Learn to like tennis.
It is like a Davis Cup or a Federation Cup match in that way but instead of cheering for your country you are rooting for your local team.It really makes it fun for the crowds and gives fans a different look at tennis.
When I'm writing a script, before I can write dialogue or anything, I have two or three hundred pages of notes, which takes me a year. So, it's not like "what happens next." I've got things that I'm thinking about but I don't settle on them. And if I try to write dialogue before then, I can't. It's just garbage.
The rumor is that when I was younger, I didn't like to sweat and I didn't like to run, and both of those things are kind of important in tennis. I was introduced to a lot of sports as a child: I did gymnastics, figure skating, tennis and golf, and I dabbled a little bit in ballet. I just never fell in love with tennis the way I did with golf.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done.
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