A Quote by Salma Hayek

I do have a Mexican accent, but that doesn't mean that I'm a Latin vamp. — © Salma Hayek
I do have a Mexican accent, but that doesn't mean that I'm a Latin vamp.
I'm the go-to guy for Mexican priests. I'm the new Barry Fitzgerald, except with a Mexican accent.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
A white leftist Mexican activist isn't the same in the media as the son of a farmer in Guerrero, they aren't worth the same. In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
Unfortunately, I don't look as Latin as I am. I get called a white guy a lot, but I am very proud of my heritage. I try my hardest to bring honor to my Mexican roots. Latin people are very passionate and loyal, and I will always remember who I am and where I come from.
The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliche villains with a Russian accent and big muscles and a mean face, I don't know. My Russian accent isn't that great, and the muscles aren't that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.
The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliché villains with a Russian accent and big muscles and a mean face, I don’t know. My Russian accent isn’t that great, and the muscles aren’t that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
Actually, between Colombian and Mexican Spanish, there's not a huge difference, but it is a different accent.
When you take the R sound out of French accent, and you just replace it with an R, it sounds Mexican.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
I like to mumble when I act, 'cause I think it's more realistic. For some reason, the impediment has given me the accent of a Mexican gangster.
It's part of my challenge as an actor, not only speaking English but speaking Spanish with a Mexican accent.
There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.
I grew up in Mexico, not the U.S., and the fact is that there just aren't any parts for Latin actresses. I have to persuade people that my accent won't be a problem, but an asset.
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