A Quote by Salma Hayek
They offered me that film before I did Frida and I said, no, I'm not capable of directing. Then after seeing Julie direct, I was inspired by it. She motivated me to do it, because we don't have role models as woman for directors.
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Playing Frida was hard and wonderful. I found such a force in her, bigger than me. I tried to make it just a woman who had to do what she did. A woman who lived, ate, and laughed. I tried to avoid the 'icon' of Frida Khalo.
I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
When I did the first 'Matrix,' after it came out, I had a woman come up to me and just thank me for Trinity because she was an action writer. She said she was getting really good opportunities now.
There were a few before me, there was a generation that started a little bit before me of women producers and Sherry Lansing, she was the first woman studio president, and she was really inspiring to me. I was inspired by other women in other fields, I was an adolescent in the 70s with the second wave feminism, and I got very inspired by that and felt like, you know what, there's no reason why I can't do this.
I didn't see a lot of role models or women who looked like me on screen when I was growing up. For me, one thing that changed all of that was seeing Keke Palmer in 'Akeelah and The Bee.' That film made me realize that I wasn't an alien.
One Time, One Day between Davie and Roberta , I asked my mom why she persisted, kept on having baby after baby, She looked at me, at a spot between my eyes, blinking like I had suddenly fallen crazy. She paused before answering as if to confide would legitimize my fears. She drew a deep breath, leaned against the chair. I touched her hand and I thought she might cry. Instead she put baby Davie in my arms Pattyn, she said, it's a woman's role. I decided if it was my role, I'd rather disappear.
I would not be young again, if you offered me the world. But then I'm prejudiced.' 'You talk,' I said, 'as if you were ninety-nine.' 'For a woman I very nearly am,' she said. 'I'm thirty five.
It moves one's heart to think: Nine months before I was born there was a woman who loved me deeply. She did not know what I was going to be like, but she loved me because she carried me in her womb.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
I'm only thirteen, so I have role-models! But I've sort of experienced... my sister has always been my role-model because I've always seen her. She's been acting my whole life and she's grown up on film, so it's neat for me to get to travel around and do interviews, because I've always seen her doing it.
It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.
My film 'Ek Kahaani Julie Ki' is based on Indrani Mukerjea's life. It is inspired from it. I am so lucky because she's my best friend.
I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
The people are not coming because of me. They didn't come before me. It's because of a lack of education and understanding, so it makes me more motivated. It's like my mother said about having an artistic child - she learned more from him and he gets more attention and more of the love, not less.
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