A Quote by Salman Khan
There are people who want awards because it changes the perception of the audience. But I'm not into all that.
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I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
Perception is a wave. You change as your perception of something changes because you define yourself as a reflection of whatever you happen to perceive.
It is kind of nice for when people appreciate what you have done, but I would not base my career on awards because they are mostly popular awards and not talent-oriented awards.
Sometimes earning awards doesn't matter as much as earning revenue or profit, or having a good response from the audience. No matter how many awards you win, if you can't earn any profit from your movie, if the audience doesn't like it, then it doesn't matter how many awards you get.
You don't want a movie to have a lot of awards and no audience.
Old Newtonian physics claimed that things have an objective reality separate from our perception of them. Quantum physics, and particularly Heisenberg's Uncertainty Principle, reveal that, as our perception of an object changes, the object itself literally changes.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
I believe in an artiste's life, there are two kinds of awards - first is the appreciation and good wishes he or she gets for his work from the audience and secondly, the recognition in the form of awards.
I want the audience to watch my films, and that is what I value more than any awards.
It is important to note that the world changes and that perception of music changes as well.
Because I had three years on 'Perception,' I think I succeeded in showing I can do other things, and I can create a different audience, even from people who loved 'Will & Grace.'
I did not want the audience to have the perception that I wore a bikini on screen.
There are all these awards that you've never heard of, and you get nominated, and suddenly you're at these awards shows, so you really don't care if you win. You really don't. You're going there, you're getting dressed up. And then you get to the awards show, and you sit down. You walk the red carpet. Everybody loves you. It's great. You sit down, and all of a sudden your category comes up, and you get nervous. And it's a complicated emotion, because it's not like you absolutely want to win, but then you don't want to lose.
I've won many awards and I want more. If you want to call it hunger then I'm hungry for awards.
And last, we must bear in mind that the relationships between perception, thought, emotion, and behavior are neither automatic nor consistent. In many cases they are demonstrably affected or directed by culture and socialization. We don't just want what we want because we want it; we want what we want because that's what we've learned to want.
A miracle is a shift in perception from fear to love-from a belief in what is not real, to faith in that which is. That shift in perception changes everything.
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