A Quote by Salman Khan
Cinema should always be in touch with the soil of the country. My films celebrate the heartland of India.
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We have become so used to complaining about the state of our country that we have forgotten what it is to celebrate India, to celebrate what India stands for.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
I would especially like to appeal to my country's media that we should stop looking at everything in India from the prism of Pakistan. India is an independent country. It is a country of 125 crore people. Whenever it approaches any country, it will only be concerned about its own interests. It has been our biggest shortcoming and mistake that we have been tagging ourselves with another country and trying to do things.
Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
We have always wanted to give back to cinema, and we couldn't possibly think of a better way to do that than facilitate films which we believe will make Malayalam cinema proud.
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
India is the country which makes the maximum number of movies. Cinema is one of our religions.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
I don't even watch many huge films. I don't go to the cinema every weekend. I watch selective cinema and want to make my kind of films.
There was a lot of protest after Bravo, from countries like India, for example. India was the first country which came forward and proposed at the United Nations that all of these nuclear tests should be stopped, that there should be a complete ban on nuclear testing.
Compare with a country like China, India has very few cinema screens, as we have real estate problems.
We are not only having a great audience for Punjabi films in north India but we are also seeing growth in other places like Mumbai, Pune, Bengaluru, Kolkata, Indore, etc. And the overseas audiences have always been good for us. Without them we couldn't have taken Punjabi cinema to such heights.
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