A Quote by Salman Rushdie

Laila Lalami has fashioned an absorbing story of one of the first encounters between Spanish conquistadores and Native Americans, a frightening, brutal, and much-falsified history that here, in her brilliantly imagined fiction, is rewritten to give us something that feels very like the truth.
Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
I'm not against knowing the history of white people in the U.S. - that's not the point. The point is that there's so much greater history. We don't know about Native Americans. Very basically, we don't know that much about African American history, except that they were enslaved. You only get bits and pieces.
When you start to look at Native American history, you realize that, very far from being a peaceful, morally superior people, Native Americans were not that different from Europeans.
The task that has fallen to us as Americans is to move the conscience of the world, to keep alive the hope and dream of freedom. For if we fail or falter, there'll be no place for the world's oppressed to flee to. This is not a role we sought. We preach no manifest destiny. But like the Americans who brought a new nation into the world 200 years ago, history has asked much of us in our time. Much we've already given; much more we must be prepared to give.
It's fiction's job to express how it feels to be living now, and it's a complex feeling, full of contradiction. To me it often feels like a brutal trivialization of reality.
So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.
There's no doubt that when it comes to our treatment of Native Americans as well as other persons of color in this country, we've got some very sad and difficult things to account for. I personally would want to see our tragic history, or the tragic elements of our history, acknowledged. I consistently believe that when it comes to whether it's Native Americans or African-American issues or reparations, the most important thing for the U.S. government to do is not just offer words, but offer deeds.
In the heart of the desert and founded by the first Spanish Conquistadores, Las Vegas has become the entertainment capital of the world, with more than 30 million visitors a year.
I would like to spend more time with Spanish poetry. I know French better than Spanish, but Spanish was my first language, and my father spoke it to us.
I'm not encouraged by the silence. I can think of no benign reason for it. I'm afraid we may expect something closer to Christopher Columbus's arrival in the Americas than a scene from Close Encounters, and we all know how that turned out for the Native Americans.
All nonmimetic fiction is a balancing act between 'reality' and the obviously unreal, with no attempt by the author to make the latter seem like the former. Sometimes it's not an easy tightrope to walk. But when it succeeds, such fiction can brilliantly illuminate the human condition.
A regime that wraps itself in the flag of truth fears truth most of all, for if its story is falsified to the slightest degree, its authority is gone.
On the Native American front, we have turned a new page in the 400-year history of the interface between the American settlers of this country and the nation's first Americans. That's included a new relationship where the sovereignty of tribes is in fact recognized.
Fiction can produce truth, and truth can be false. What does it mean to say that it's true that, what, two out of six people in this city are starving? That's true, but that is only true because the conditions we live under are completely wrong - that should not be true, and it is. And in something like Sarah Polley's film, her fictions deliver so much truth. The retellings and the simulations and the theatrical aspects are what deliver all the truth.
The truth of history crowds out the truth of fiction - as if one were obliged to choose between them.
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