A Quote by Salman Rushdie

My horizon's have shrunk and I have only endings to write. — © Salman Rushdie
My horizon's have shrunk and I have only endings to write.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
Not only are there no happy endings,' she told him, 'there aren't even any endings.
An event horizon, or the point of no return, is only a byproduct of the bending of space. However, electricity and magnetism, by themselves, have no event horizon. It gets complicated, however, if a black hole has charge, and then this new solution does have an event horizon.
Death is only a horizon, and a horizon is only the limit of your sight. Open your eyes to see more clearly.
I am hopeful, though not full of hope, and the only reason I don't believe in happy endings is because I don't believe in endings.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
Life is eternal; and love is immortal; and death is only a horizon; and a horizon is nothing save the limit of our sight.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
People generally like happy endings, which is something I learned from my years in advertising. I like happy endings myself, but only if they're honest. I'm just as happy with a terrible, hopeless ending.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.
There are no endings, and never will be endings, to the turning of the Wheel of Time. But it was an ending.
I'm a hopeful romantic who adores novels with happy endings, because there are enough sad endings in real life.
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