A Quote by Salman Rushdie

Everything has shape, if you look for it. There is no escape from form. — © Salman Rushdie
Everything has shape, if you look for it. There is no escape from form.
You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
A sculptor is a person obsessed with the form and the shape of things, and it's not just Ihe shape of any one thing, but the shape of any thing and everything.
I think my attitudes about the past are very traditional. You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
The whole of nature is an endless demonstration of shape and form. It always surprises me when artists try to escape from this.
It's a form of violence, in the way that we look at women and how we expect them to look and be - for what sake? Not health, not survival, no enjoyment of life but just so you could look pretty. I'm constantly telling girls all the time, 'Everything's airbrushed, everything's retouched. None of us look like that.
The soul is the form of the body, but not as the shape of a statue is formatio et terminatio materiae, for form does not exist apart from material. There is no whiteness without a white object. But the soul is not a form in this simple sense, and in particular, is not the shape of the material it informs. Therefore, the shape of a being does not affect the being's soul, for then something lower would inform something higher, which is impossible.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head.
I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
Haste and escape for your lives, look not behind you, escape to the mountain, lest you be consumed.
I think that when you look at history and when you look at these facts that shape nations and shape countries and give us present examples of how we're supposed to live, we find more and more often that we're not paying attention to what's actually happening.
I knew I was ambitious; I knew I was passionate and that I wanted to change the world in some shape or form, but I had no idea what that might look like.
I don't know where the shape of a poem comes from. I certainly don't impose it. I write out of a jumble of emotions and vague notions and scraps of knowledge. At some stage a form or, rather, a shape mysteriously emerges.
So the first thing: become aware of death. Think about it, look at it, contemplate it. Do not be afraid, do not escape the fact. It is there and you cannot escape it! It has come into existence with you.
There are some individuals who look at graphic novels as 'canon,' and they cannot change in any way, shape or form, and that's what makes them in some ways good fans.
In my opinion, everything, every shape, every bit of natural form, animals, people, pebbles, shells, anything you like are all things that can help you to make a sculpture.
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