A Quote by Salman Rushdie
In the end, you write the book that grabs you by the throat and demands to be written.
Related Quotes
So I be written in the Book of Love. I do not care about that Book Above. Erase my name, or write it as you will. So I be written in the Book of Love.
I don't write a book so that it will be the final word; I write a book so that other books are possible, not necessarily written by me.
You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
I'd like to meet fewer people who say 'Oh, I want to write a book, here are 10 pages I've written,' and more 'Oh, I want to write a book, here are 300 pages I've written.'
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
Write the best book you can, the one that demands to be written, no matter what genre it is. Even a trend the trades tell you has gone stale can be revitalized by a superb piece of writing. It'll never be revitalized by someone jumping on a trend bandwagon.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
I like television that grabs you by your throat.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
WIDE, the margin between carte blanche and the white page. Nevertheless it is not in the margin that you can find me, but in the yet whiter one that separates the word-strewn sheet from the transparent, the written page from the one to be written in the infinite space where the eye turns back to the eye, and the hand to the pen, where all we write is erased, even as you write it. For the book imperceptibly takes shape within the book we will never finish. There is my desert.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
Perfect Night has that magic and it has the raw energy that grabs you by the throat.
Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.
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