A Quote by Salman Rushdie

And at the end of the day, there was an attempt to suppress a book. The book wasn't suppressed. It's freely available in whatever it is, close to 50 languages. There was an attempt to suppress the writer. And I'm happy to say the writer wasn't suppressed.
Starting reforms in the Soviet Union was only possible from above, only from above. Any attempt to go from below was suppressed, suppressed in a most resolute way.
The publishing of a book is a worldwide event. The attempt to suppress a book is a worldwide event.
Show me one place where a whole government is concerned with a book of a writer and is concerned enough to suppress it.
Ford Prefect suppressed a little giggle of evil satisfaction, realized that he had no reason to suppress it, and laughed out loud, a wicked laugh.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
The attempt to suppress an idea has always and everywhere proved a failure.
Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.
When emotions arise, I don't attempt to suppress or repress them, so that I can discern their basis or cause.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
You all know that certain things are necessary to make a religion. First of all, there is the book. The power of the book is simply marvellous! Whatever it be, the book is the centre round which human allegiance gathers. Not one religion is living today but has a book. With all its rationalism and tall talk, humanity still clings to the books. In your country every attempt to start a religion without a book has failed. In India sects rise with great success, but within a few years they die down, because there is no book behind them. So in every other country.
The only difference between a good writer who publishes a book and a good writer who doesn't is that the writer who publishes actually finished her book.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
I never felt like there was an unconscious part of me around that woke up or that came out of the closet; there wasn't a struggle, there wasn't an attempt to suppress.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
Just consider the CIA and its effort to suppress the Senate's review of its torture program. Take in the fact that we live in a country that a) legalized torture and b) where no one was ever held to account for it, and now the government's internal look at what happened is being suppressed by the CIA. That's a frightening landscape to be in.
I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.
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