A Quote by Salman Rushdie

What kind of a god is it that's upset by a cartoon in Danish? — © Salman Rushdie
What kind of a god is it that's upset by a cartoon in Danish?
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
Luther exerted a strong influence on Denmark. Suddenly Danish theologians were preaching in Danish and translating the Bible into Danish.
American Danish can be doughy, heavy, sticky, tasting of prunes and is usually wrapped in cellophane. Danish Danish is light, crisp, buttery and often tastes of marzipan or raisins; it is seldom wrapped in anything but loving care.
Danish is a different language, even though Danish people understand Swedes, and very few Swedes understand Danish.
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I learned through the 'Jack Nicklaus Lesson Tee,' the cartoon. Back then, it was 1970 or '69 when it came out. Learned the grip that way and everything in the cartoon... So that's kind of how it all started for me.
I don't feel that I'm strictly Danish; I don't feel that my sense of humor is strictly Danish or my human sensibility is strictly Danish.
People are very upset with Washington. They're upset with Democrats. They're upset with Republicans. They're upset with the establishment.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.
Consensus and dialogue have always played a significant role, especially in Danish society. Of course there are basic values that must be respected, but within this framework, we are a liberal and tolerant country where everyone can live as they desire and according to their tradition. That is the Danish way.
My father was working on his Ph.D. on Danish choral music - the Danish choral music of Carl Nielsen - so over there to do research.
I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
The toughest part is that when your kid's upset, you're upset. You're rocked until they're not upset. Even when they're not upset, you're like, "I hope that doesn't happen, down the line." You're always nervous because you want your kid to be happy.
My father would sit and design furniture and cabinets - he was a carpenter and cabinet maker - and I would ask for my own piece of paper and pencil. And when I would say, 'What should I draw?' he would push a cartoon under my nose and say, 'Here, draw this.' So the cartoon became a kind of focus of attention.
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