A Quote by Salman Rushdie
It seems to me it's perfectly possible to vehemently disagree with a piece of work and to say that it's offensive and insulting and so on and so on. And you're absolutely entitled to do that and to speak back, if you like, against that piece of speech with all the vehemence at your disposal. I mean, that's legitimate. Even other things. People have a right to demonstrate.
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Crocker's Rules didn't give you the right to say anything offensive, but other people could say potentially offensive things to you, and it was your responsibility not to be offended. This was surprisingly hard to explain to people; many people would read the careful explanation and hear, "Crocker's Rules mean you can say offensive things to other people."
It is a question in that case of breaking up one piece of art, and whether that piece of art can be as best as possible put back together. So it's an argument to say, maybe that's one of those instances, like the bust of Nefertiti, I think that should be given back [Egyptian piece currently in Neues Museum in Berlin]. It's one of those pieces you look at and think that would probably be the right thing to do.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
How any human being ever has had the impudence to speak against the right to speak, is beyond the power of my imagination. Here is a man who speaks-who exercises a right that he, by his speech, denies. Can liberty go further than that? Is there any toleration possible beyond the liberty to speak against liberty-the real believer in free speech allowing others to speak against the right to speak?
Your main contribution is spray painting your nickname on other people's things. And my cousin, who's a 'gangster', he's like, 'No, Tash, you don't understand; you throw a fat piece up there, that piece is yours.' I'm like, 'No one thinks you own Costco.'
What we will do is we'll say, 'Okay, you have your page, and if you're not trying to organize harm against someone, or attacking someone, then you can put up that content on your page, even if people might disagree with it or find it offensive.' But that doesn't mean that we have a responsibility to make it widely distributed in News Feed.
The court has said you are entitled to robust speech on public sidewalks, even insulting speech.
I ask people what piece they are on the chessboard. And some people say 'I'm the king' or 'I'm the knight.' And then they ask me what piece I am, and I say, 'I'm no piece. I take the position of God.'
People may say 'What can I do? I'm only one person.' But we've proven that when we come together demonstrate, and speak our piece, there is no way the power structure can avoid being attentive.
There are so many steps you have to go through to reach a high level, so you're kind of building your own, I would say, mountain. You have to go piece by piece by piece. When you're young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.
I don't just want a piece of you and a piece of your life. Even if you were able, which you are not, to give me the biggest piece, that is not what I want. I want all of you and all of every part of you and your day.
I think every time you get your heart broken, there's a little piece of it that chips away, and I don't think you ever get that piece back. But I think you're able to bandage it with time and with new people and other things that make you happy.
There are so many steps you have to go through to reach a high level, so youre kind of building your own, I would say, mountain. You have to go piece by piece by piece. When youre young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
It's a very organic kind of way that people are discovering it, by word of mouth, which I always think is the best way for things to grow. In terms of the affect it's been having on me, I don't even notice that. It's lovely to be able to talk about a piece of work that you're very proud of, that I think's a complex piece of work and not superficial and has depth to it.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
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