A Quote by Salman Rushdie

I have to say that after some initial resistance, I'm now a complete 'Game of Thrones' addict. — © Salman Rushdie
I have to say that after some initial resistance, I'm now a complete 'Game of Thrones' addict.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
Gleeful, unembarrassed ruthlessness, once rightly kept in check, has become normal among us, and 'Game Of Thrones' is a success because this change is now more or less complete.
If, like me, you've never watched 'Game of Thrones', the podcast 'Binge Mode: 'Game of Thrones'' ought to be unlistenable. It isn't, thanks to the energy of the two expert presenters Mallory Rubin and Jason Concepcion, who have the wit to laugh at their own deep-dive devotion and are helped out by some smart editing.
While most episodes have a beginning, middle, and an ending, finales on 'Game of Thrones' are just one ending after another after another, as each of the storylines needs to wrapped up or at least attended to in some way.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
After 'Pitch Perfect' premiered, I've got so many sweet expressions from people who enjoyed 'Pitch Perfect' and now the episode of 'Game of Thrones.'
'Game of Thrones' has multiple story lines, multiple countries, and it's complete fantasy.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
I've had this theory for a while, but I think there needs to be a message with the end of 'Game of Thrones.' You know? I think what needs to happen is ice and fire are going to go to war, a huge war between those two factions, and I think, in that war, they will destroy themselves. There will be complete chaos, complete destruction.
People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
The mental suffering you create is always some form of non-acceptance, some form of unconscious resistance to what is. On the level of thought, the resistance is some form of judgement. The intensity of the suffering depends on the degree of resistance to the present moment.
After 'Game of Thrones,' having a character like that, that's like the pinnacle of your career.
I guess you could say I'm an addict - an adrenalin addict - I get great excitement and stimulation from doing stuff in public, even though I'm nervous and I have very bad stage fright.
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