A Quote by Salman Rushdie
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
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As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing. It has always been clear to me that the stories of each other's lives are our best textbooks.
In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
Our own lives feel so disordered and confusing, so it's amazing to me that the filmmakers caught the personal, emotional high points and low points of my life and not just the public aspects.
I have kept diaries, of course, but they can't be read for quite a long time. I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it - not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.
For decades, the journalistic norm had been that the private lives of public officials remained private unless that life impinged on public performance.
I'm happy being myself, which I've never been before. I always hid in other people, or tried to find myself through the characters, or live out their lives, but I didn't have those things in mine.
There are no private lives. This a most important aspect of modern life. That one of the biggest transformations we have seen in human life in our society is the diminution of the sphere of the private. That we must reasonably now all regard the fact that there are no secrets and nothing is private. Everything is public.
About my books, that's all that I think the public has, in its normal way, to know. My private life is, by definition, private.
Now we live in a time where the public and the private are completely fused and there isn't such a great distinction. We know our private lives are constantly made public. With Facebook and Twitter there isn't such a desire, it feels, to keep things private.
I am a public person and I have my private life. It's important for me that my private life stay private, that what I share with the people is my public personality.
The line between private and public lives is a fertile one for me. I've lived quite a public life, and it's the reason I have used well-known people in my work. I'm interested in what's going on beneath the facades they present to the world, taking them to a place which is uncomfortable.
Private choices are not private; they all have public consequences...Our society is the sum total of what millions of individuals do in their private lives. That sum total of private behavior has worldwide public consequences of enormous magnitude. There are no completely private choices.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change.
Respect your characters, even the minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.
One of the things about the modern world is that the public and the private - which is not the same as the public and the personal - but the public and the private... it's very, very much harder than it used to be to have things that are private and things that are public.
Everybody has a public life, and they have their own private life. Everybody has their secrets. Everybody has their own private, you know, agonies as well as joys. And that's what great drama, whether it's the movies or the theater, that's what it shows.
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