A Quote by Salman Rushdie

Memory is a way of telling you what's important to you. — © Salman Rushdie
Memory is a way of telling you what's important to you.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.
There's something known as "memory conformity," also known as "social contagion of memory," which refers to a situation where one person's telling of a memory influences another person's account of that same experience.
RAM: This gives guys a way of deciding whose computer has the biggest, studliest memory. That's important, because the more memory a computer has, the faster it can produce error messages.
I always try to write from memory, and I always try to use memory as an editor. So when I'm thinking of something like a relationship or whatever, then I'm letting my memory tell me what the important things were.
Memory is very important, the memory of each photo taken, flowing at the same speed as the event.
Somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself.
Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.
As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.
I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
Recording stories is a way of honoring the faculty of memory, even if it's recorded, outsourcing memory to technology.
It is true that one of the first acts of tyrants is to erase history, to wipe out the recorded memory of a people. With that in mind, it's important to remember that the work that we do as writers, artists and performers will form an essential part of the collective memory that future generations will draw upon. And so we owe it to those future generations to defend that memory and be honest witnesses to our times.
Forgiving does not erase the bitter past. A healed memory is not a deleted memory. Instead, forgiving what we cannot forget creates a new way to remember. We change the memory of our past into a hope for our future.
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