A Quote by Salman Rushdie

I don't know what to say about literary critics. I think it's probably best to say nothing. — © Salman Rushdie
I don't know what to say about literary critics. I think it's probably best to say nothing.
The critics have been writing me off for 20 years. That's nothing new. As far as I know I still have plenty of fans and sell lots of records. Do I care what critics say about me? No, and I don't read reviews.
I sometimes think there is nothing really to be said about a novel but 'read the book.' I have a jaundiced view of literary critics.
I'm just about the best singer I know, and it's time for everybody to say that. I have total facility with my voice. And for some weird reason, critics don't talk about it.
I care very much what the fans think. I'm starting to loosen my grip on caring about what critics say, because I think that critics care about what fans think of them, too, so there's a little bit of a refraction there, through that glass.
A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.
Say 'Dodgers' and people know you're talking about baseball. Say 'Braves' and they ask, 'What reservation?' Say 'Reds' and they think of communism. Say 'Padres' and they look around for a priest.
You know how sometimes you're talking to people who love you and give you unconditional love, and you say, "But you know what? Let me back up. I forgot to say . . ."You can do that, right? You don't hesitate and say, "Oh my God! I forgot to say that!". You just speak! And you say it all, until you have nothing more to say. And that's your first draft. It's done.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
Many of my sharpest critics have decided to take a position of ignoring me - because they feel that by attacking me, they would draw attention to my book and give me more publicity and help me sell more books. So I think that they decided that the best thing for them to do is to say nothing. Also, I think that some of my critics simply can't refute my argument - and so it's easier for them to ignore it as well, so that they're not forced to confront the logical contradiction in their own position.
I guess my critics say, 'He must be crazy. Nothing can be that beautiful.' But when you think that there are so many people around the world who have nothing, you realize how lucky you are to be making a living in the big leagues.
I was a PE teacher, and when you teach, you can say, 'You have to do this.' It's an order. That's one way. Or you can say, 'Listen, we have these problems, so give me the solution,' and they have to think about it. Or you can say, 'Here are three options - which one is best?'
To say that we cannot know anything about God is to say something about God; it is to say that if there is a God, he is unknowable. But in that case, he is not entirely unknowable, for the agnostic certainly thinks that we can know one thing about him: That nothing else can be known about him.
Suddenly, I don't know what to say. It happens often to me. I know what I want to say, I think about whether it is what I mean, but when the moment comes to speak, I can't say it. - Nana Kleinfrankenheim, Vivre Sa Vie.
What shall I say about poetry? What shall I say about those clouds, or about the sky? Look; look at them; look at it! And nothing more. Don't you understand anything about poetry? Leave that to the critics and the professors. For neither you, nor I, nor any poet knows what poetry is.
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
I'd say art is with you. All around you. I'd say when there doesn't seem to be anyone else, there is art. I'd say you can love art how you wish to be loved. And I'd say art is a lifeline to the rest of us - we are out here. You are not alone. There is nothing about you that scares us. There is nothing unlovable about you, either.
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