A Quote by Salvador Dali
I am the first to be surprised and often terrified by the images that I see appear on my canvas.
Related Quotes
If I am lucky, something new and inexplicable often appears in front of my lens. I am always surprised by the mystery of how my best images appear. That excitement and shock of discovery makes my life at these moments a gift.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
I would say about individuals, A Individual dies when they cease to to be surprised. I am surprised every morning when I see the sunshine again. When I see an act of evil I don't accomodate, I don't accomodate myself to the violence that goes on everywhere. I am still so surprised! That is why I am against it. We must learn to be surprised.
One of the questions I often get asked is, "Were you surprised that Trump won?" I always answer the same way: "I was surprised, I am surprised and I will never stop being surprised."
I am always surprised at what movie studios think people will want to see. I'm even more surprised at how often they are correct.
Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently disappointed, surprised, unmoved when the see the real thing. For photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs us more in photographed form than it does when we actually experience it.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
My films often have a very strong strain of irony, or even sarcasm, which is definitely related to homosexual camp. But it is by no means straightforward: quite often I am sincere when I appear to be sarcastic, and I am sarcastic when I appear to be sincere. I also try to contradict myself at least once a day, which is a camp must.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
I was terrified the first time that I had a big problem in my business. I was obviously terrified when they diagnosed me with cancer in 1994. I was terrified when my son used to drive too fast. But I do believe in the fact that fear is not an option, so I always try to face it and not be afraid.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
I always expect the worst from this evil and wicked world and am often pleasantly surprised when the worst does not come to pass, but never or rarely surprised or upset when it does.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
What do you see when you look at a representational painting? Most of the time, the first thing I see is a flat piece of canvas covered with colored patterns.
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