A Quote by Salvador Dali

I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait. — © Salvador Dali
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
My responsibility isn't to paint a flattering portrait; my responsibility is to paint a real portrait, a true portrait.
I was good friends with Frank Sinatra, I heard Steve Kaufman painting his portrait, so I asked Steve to paint my portrait.
It takes a long time for a man to look like his portrait.
It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
I murmured to Picasso that I liked his portrait of Gertrude Stein. Yes, he said, everybody said that she does not look like it, but that does not make any difference, she will, he said.
To do a portrait today, I decide how close I can get to my subject. First, of course, mentally or intellectually, then in the viewfinder. Music cues the subject and me when to shoot. The music played during a photography session is most important - stimulating to the subject and to me. As in a film, the music builds or becomes quiet, romantic; just one note sets the actor up to emote for his audience. I want a reciprocal portrait, not a bureaucratic one
Everything I paint is a portrait, whatever the subject.
When I paint a person, his enemies always find the portrait a good likeness.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
The reason that I'm an actor, or an artist, is ultimately because I'm trying to paint a self-portrait, and the most complete and beautiful self-portrait that you can.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.
Tim Thornton's portrait of a pop culture obsession is so convincing that one can't help wishing that his fictional alt rock band actually existed, or suspecting that they did. The Alternative Hero is a weirdly compelling portrait of fanatic fandom which reads like High Fidelity at high volume.
To demand the portrait that will be a complete portrait of a person is as futile as to demand that a motion picture be condensed into a single still.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
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