A Quote by Salvatore Quasimodo

From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue. — © Salvatore Quasimodo
From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
For a long time, I was brilliantly achieving drawings that were inert, suffocating and dark. If ever you need illustrations that are inert, suffocating and dark, I know how to do them.
That night was a dark day. Of course, all nights are dark days, because night is simply a badly lit version of day.
A Godly leader ... finds strength by realizing his weakness finds authority by being under authority finds direction by laying down his plans finds vision by seeing the needs of others finds credibility by being an example finds loyalty by expressing compassion finds honor by being faithful finds greatness by being a servant
I learned that the search for God is a Dark Night, that Faith is a Dark Night. And that’s hardly a surprise really, because for us each day is a dark night. None of us knows what might happen even the next minute, and yet still we go forward. Because we trust. Because we have Faith.
The solitude of the poet is the uniqueness of his experience, and the particulaity of his sensitivity and imagination.
[John Adams] diary, of course, is even more revealing of his feelings. Both his letters to [his wife] Abigail and his diary tell us what he really thinks about people and events.
Journalism only tells us what men are doing; it is fiction that tells us what they are thinking, and still more what they are feeling. If a new scientific theory finds the soul of a man in his dreams, at least it ought not to leave out his day-dreams. And all fiction is only a diary of day-dreams instead of days. And this profound preoccupation of men's minds with certain things always eventually has an effect even on the external expression of the age.
Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
There is no Sixth Commandment in art. The poet is entitled to lay his hands on whatever material he finds necessary for his work.
Thanks to the night, we long for the day; thanks to the day, we long for the night! The purpose of the opposites is to make us long for something! Thanks to the crowds, we long for the solitude; thanks to the solitude, we long for the crowds!
Night had come—night that she loved of all times, night in which the reflections in the dark pool of the mind shine more clearly than by day.
When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.
Walt Whitman is the only great modern poet who does not seem to experience discord when he faces his world. Not even solitude - his monologue is a universal chorus.
Gabriel Levin's book is a journey through time and through entrenched animosities of the Middle East. What's astonishing and refreshing is his ability to combine the reporter's perspective with a deep knowledge of poetry, including pre-Islamic Arab poems. A brilliant poet is at work here-a poet in the rugged landscape of conflict and pain.
The man who is unable to people his solitude is equally unable to be alone in a bustling crowd. The poet enjoys the incomparable privilege of being able to be himself or some one else, as he chooses. [...] The solitary and thoughtful stroller finds a singular intoxication in this universal communion. [...] What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire...to the unexpected as it comes along, the stranger as he passes.
A writer takes earnest measures to secure his solitude and then finds endless ways to squander it.
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