A Quote by Sam Abell
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.
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I'm proud that I've been able to work with other artists to make sure that the smallest voices - the voices of our children - have a chance to be heard. Artists can reach, inspire, and motivate young people and leaders in a powerful way.
Art is a path on which we honour our world. Art may not be the only path, but it is a good path, even though at times a difficult one. As bearers of this honour, we artists do not need to simply render our world as we see it but as we might ourselves redesign it. As artists, one of our privileges is to invent.
In our time there are many artists who do something because it is new; they see their value and their justification in this newness. They are deceiving themselves; novelty is seldom the essential. This has to do with one thing only; making a subject better from its intrinsic nature.
Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
We need artists to help us come together and share our voices and build community around powerful issues concerning our roles in the world and our planet's survival. Compassion must be translated into action.
Only through art can we get outside of ourselves and know another's view of the universe which is not the same as ours and see landscapes which otherwise would remain unknown to us like the landscapes of the moon. Thanks to art, instead of seeing a single world, our own, we see it multiply until we have before us as many worlds as there are original artists.
This is another world to the ones most Australians know. It was explained by my father once that it's like a blanket on the ground. We, the uninitiated, only see the blanket. Lift it up and that's what our elders... see - the real thing - a world most of us will never know or understand. Through their paintings, artists... offer us a glimpse of the world of dreams where the past, present and the future link.
We do live, all of us, on many different levels, and for most artists the world of imagination is more real than the world of the kitchen sink.
Thanks to art, instead of seeing one world, our own, we see it multiplied and as many original artists as there are, so many worlds are at our disposal.
I had to learn to think, feel, and see in a totally new fashion, in an uneducated way, in my own way, which is the hardest thing in the world. I had to throw myself into the current, knowing that I would probably sink. The great majority of artists are throwing themselves in with life preservers around their necks, and more often than not it is the life preserver, which sinks them. Nobody can drown in the ocean of reality who voluntarily gives herself up to the experience. Whatever there be of progress in life comes not through adaptation but through daring, through obeying the blind urge.
Social entrepreneurs come from all levels of society and from communities in nearly every country of the world. They all share the same underlying drive and passion to see their ideas through. Many of them have had a huge effect on the world, yet most people have not even heard of them - a trend we hope to change!
When people talk about imagination, they tend to think of fantasy or something made-up. But really imagination is a mode of perception. Which is maybe why so many artists have turned to the occult. Artists tend to feel like outsiders. Whether they are actually outsiders or not is also kind of irrelevant.
I think most serious photographers understand that there's this large gap between the world and how the world looks through a photograph.
There is a sea of consciousness that is universal, even though we each perceive it from our own shores, an awareness and a world that we all share, that can be experienced by every living being, yet is seldom seen by any.
With success it's like 60% talent, maybe 20% luck and then 20% being at the right place at the right time. There are so many artists that have been passed by - even though, on paper, they're the most incredibly talented artists, they don't have the social skills to take it outside of the bedroom.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
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