A Quote by Sam Abell
Typically I see it with photographers who go to a place like India or Nepal, and everything's so colorful and exotic and they think, therefore, a picture's been taken.
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I've been to Nepal, but I'd like to go to Tibet. It must be a wonderful place to go. I don't think there's anything there, but it would be a nice place to visit.
India's role is not to interfere in what Nepal does but to support Nepal in their development. Nepal should scale new heights of progress.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
I do find it strange, doing magazine shoots. Photographers always go, 'Why don't you like to have your picture taken? That's what you do for a living anyway. Just pretend you're acting. It's the same thing!'
Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism?
I had no idea of who could play it, no notion really. Then Richard came to see us but I don't think it was decided at that meeting. The trouble is, as soon as you've chosen somebody it obscures anybody else you might have thought of. It's like going to a place that you've never been to before - you've got a picture of it and then you go there and that picture is totally wiped out by the reality.
Since I used to visit Nepal often in the past with my father, I have a fair idea about festivals and culture of both Nepal and India. The two countries have many similarities.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
Now very often events are set up for photographers... The weddings are orchestrated about the photographers taking the picture, because if it hasn't been photographed it doesn't really exist.
I think the best war photos I have taken have always been made when a battle was actually taking place - when people were confused and scared and courageous and stupid and showed all these things. When you look at people right at the very moment of truth, everything is quite human. You take a picture at this moment with all the mistakes in it, with everything that might be confusing to the reader, but that's the right combat photo.
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
Nepal is our closest neighbour, and we must make every effort to ensure that, as a small neighbour, we attend to their perceptions. Even when they are wrong, we have an obligation to create an environment in which the common people in Nepal feel that in India they have a great friend.
Despite having an Indian grandmother and a Nepalese father, I have never been to India before. I have been to Nepal a couple of times, which isn't that far.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
I'll always love Paraguay. It's this most exotic place configured out of the imagination, the whole country.Paraguay will always be a special place in my heart. I go back a long way. I first arrived as a refugee in 1982 from the Falklands War. So it was a safe haven then, and it has become something exotic since then. I feel like I'd like the dust to settle a little bit before going back.
I'm not someone who likes to have my picture taken, let alone see it plastered all over the place.
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