My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that.
I'm a big fan of 'National Geographic', the magazine and the channel. Anything to do with the natural world. For years, when I was younger, I was convinced I would be a nature photographer, but that didn't pan out.
My big dream was to work as a photographer for 'National Geographic.'
I love National Geographic. Just when you think you've seen the last lost native tribe, National Geographic will find a new one.
As a photographer, I don't really have a view of the world in general. Someone taking pictures for 'National Geographic' might. Each of us works to our full capacity when we're in the midst of a shoot. Each of us finds our own level of intensity, and that's the fun of it.
People say to me, "Who's your favorite kind of photographer?" Or "Who would be your favorite photographer to have in a workshop?"
And I always say, "My Dad."
I was asked by a student what my most significant accomplishment was at National Geographic, after thirty years, and I said that my career came to an appropriate close, and I still loved photography. Not everybody who spends their career at anything ends up fascinated and involved with it.
If someone else was in the room, I wouldn't feel comfortable doing what I wanted to do. I would try to play something that the other person or people would love or would like, at least. Nothing was true because I was not playing what I wanted, and they were not listening to anything that was coming from anywhere true.
She closed her eyes. "I didn't know that. i didn't know anything. It scares me the things I told myself. But I would have told myself almost anything, because I wanted to believe him." "Why?" "Because I wanted to be with you.
I wanted to do an action-y thing, purely because I'm the least fit, healthy person in the world. I wanted to prove to myself that I could actually run and not get out of breath and collapse. I wanted to push myself, in that way.
Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldn’t, because there aren’t enough skulls!
When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop photographer came while I was at the Geographic in the late 70's, and has continued consistently since then.
Everyone thinks it would be great to work for National Geographic. So did I.
I would like to be remembered as someone who was not afraid to do what she wanted to do, and as someone who took risks along the way in order to achieve her goals.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
I could do exploration in this particular career field, and it was a goal that, even if I didn't reach it, it was so high it seemed almost impossible, but even if I didn't reach it, I would still have a good time and a very satisfying career.