A Quote by Sam Abell

Editorial photography has to be energetic and visually competitive. — © Sam Abell
Editorial photography has to be energetic and visually competitive.
I realized that one of the differences between news photography and dance photography was that the former has to tell a specific story, whereas all a dance photograph had to be was visually interesting.
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact
Street hockey is great for kids. It's energetic, competitive, and skilful. And best of all, it keeps them off the street.
If you look at most photography, especially the pictures that grab you, they are not objective at all. Sometimes gut wrenching and sometimes lovely, but the moment someone decides to release the shutter, it is an editorial statement.
I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Most people don't read editorial pages. I think I must have been 40 before I even looked at an editorial page.
I think there is a real value in an editorial point-of-view and in editorial curation, and in putting together an entire narrative around a set of topics is important.
If a king is energetic, his subjects will be equally energetic.
I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
When you take an energetic song and add it to one of the most energetic live performance set's you get pure mayhem...which is what the fans want to see!
With a standard editorial cartoon, you're taking tons of information and synthesizing it down to a single bite - a single moment in time. With animated editorial cartoons, it's more storytelling.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
I think I was a pretty energetic kid. Well, I was energetic until about my mid-20s when I discovered alcohol. That's not entirely true, but you get older and the edge comes off.
Computer photography won't be photography as we know it. I think photography will always be chemical.
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