A Quote by Sam Allardyce

For the record, I've never taken a bung in my life. I might have enjoyed a meal or a bottle of wine on an agent or two but that is it. I was earning £1.5m a year, so I didn't need a little bit extra from an agent. It would have been madness.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
In the early '90s, my parents weren't really drinking wine. They had a bottle or two laying around, but it had been a stigma where a bottle of wine had to be for a super special occasion. A bottle of wine had to go with a steak. And it was this thing that seemed so distant.
My brother is an agent, so he is in the business. Is he my agent? No, no, no. That would never work.
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
If you haven't taken a writing class, take a writing class. I took every class that was available in my area. I went to conferences inside and outside my area to network with people. That's how I got my agent. I found my agent through another agent who was at a conference.
I recall my first foreign agent meeting was on a dark, moonless night with an agent I'd never met before. When I picked him up, he passed me the intelligence and I passed him extra money for the men he led. It was the beginning of an adventure I had only dreamed of.
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
It is nice to be the most expensive Dutchman, and it is nice for my agent and for Ajax. But it does not matter to me whether I cost €5m or €150m or €200m. I just need to make sure that I do my own thing.
I wanted an agent who would actually sell stuff. After two British agents failed comprehensively, I was reading Locus (the SF field's trade journal) and noticed a press release about an experienced editor leaving her job to join an agent in setting up a new agency. And I went "aha!" - because what you need is an agent who knows the industry but who doesn't have a huge list of famous clients whose needs will inevitably be put ahead of you. So I emailed her, and ... well, 11 years later I am the client listed at the top of her masthead!
My agent, Didier Fernandez - who's been my agent since I was 18 - has definitely been a mentor and a protector and a trusted friend.
When it comes to representation and agent meetings, a lot of times actors go into the meeting with the idea that they need the agent to pick them - but it's a partnership.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
I would come home with my friend Bill, and we would sit and watch 'Get Smart.' And I was Agent 44, and he was Agent 85. And it was a fantastic - and all we wanted to do was sleep with Barbara Feldon.
I haven't taken an overdose of sleeping pills and called my agent. I haven't been in jail, and I don't go running to the psychiatrist every two minutes. That's something of an accomplishment these days.
If the agent aims to make the attempt if and only if it would be apt, then a distinctive element of risk assessment becomes relevant: How probably would the agent succeed in attempting that fuller end?
This site uses cookies to ensure you get the best experience. More info...
Got it!