A Quote by Sam Allardyce
Whoever you are playing and whatever you are playing against you have to weigh up tactically how you approach that game. That has always been a part of my make-up, having made my way through every division and finding out what management is all about.
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By putting pressure on myself to develop a great game, I had less pressure to win. These days, I tell kids that the way I grew up, it wasn't about winning. It was about playing well, about playing the "right" way. That approach helped me enjoy the game and develop mine to its maximum potential.
I learned that in senior football it's about managing the game. People are playing for contracts and playing for careers, so when you're 1-0 up or 2-0 up, you have to see the game out.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
Religion is not the biggest part of my life. I'm always playing baseball. But it's certainly a part of it, and having a faith in something. I've always worn a cross, and it's been a part of my game. It's always there with me.
The night before a game, I'd think about who I was playing, and then how I'd bowled against those guys, if I had got them out previously. While I was playing, I could recall nearly all my wickets and how I got the batsman out.
I was playing division three basketball and I wanted to find a way to work in basketball full-time. The way to do that was not in division three right away; you'd have to be a part-time assistant or whatever. So, I made the decision to transfer to Kentucky. Just so I could get my feet wet and maybe get a job in D-1.
I always heard my dad talk about playing music right through till the end. He may have talked in the early 90s about how he was ready to get off the road. But retirement, for my dad wasn't part of his make-up.
Say I was playing like a big receiver at whatever school, I would look up his Instagram and see his girlfriend and I'd probably go slide in her DMs. Before the game. You know we get to the game, he probably know about it, maybe he don't. But either he know about it or he don't, but either way I'm bringing it up in the game.
I'm just a guy that grew up in a total fun-loving environment. I try to create that everywhere I go. Basically what I'm doing is a reflection of me as an individual, me naturally. I'm not staging or putting on anything. I think my approach to the game is an all-out approach, whatever it takes to win. I've always been that way.
The way that I was taught to play baseball, and to me the way baseball has always been, is... Look, we play 162 games. It's a grinding, hard-nosed game. And even when I was a kid it was about not showing up your opponent. It was about playing the game with class. But, obviously I think you should have fun doing it.
I always want to be the best at what I do. As a kid, whatever I was doing, if I was playing football or whatever I was applying my energy to at the time, I always wanted to do it to the best of my abilities. And I was always interested in finding out how I could do it better.
I've always noticed how the Fenway fans get behind the pitcher, especially late in the game if you're having a good game, or if you have two strikes on a hitter, they really start to chant and anticipate a strikeout. And that's the best part about playing in Boston and at Fenway. There are knowledgeable fans who anticipate the flow of the game and they can really help out the pitcher.
I came up in 1941 and I played against men who played in the 1930s. I stayed until 1963 playing against men who will be playing in the 1970s. So I think I can feel qualified to say that baseball really was a great game, and baseball is really a great game, and baseball will always be a great game.
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
There is a lot of instinct that comes with playing hockey and playing a number of games and playing all the way up; you kind of get a feel for what's gonna happen and make plays off that.
In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.
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