A Quote by Sam Amidon

If I pick up a fiddle, I don't compose on it, so much as I just play whatever. — © Sam Amidon
If I pick up a fiddle, I don't compose on it, so much as I just play whatever.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
When I was a kid, my parents would play badminton, but I hardly joined them. I'd just pick up their racquets and fiddle around. Check out how the racquet was made... toss it around to see how light it was! At the time, I didn't even know I'd play badminton.
Those who refuse to play second fiddle may wind up playing no fiddle at all.
Lots of the bands [in New Orleans] couldn't read too much music. So they used a fiddle to play the lead - a fiddle player could read - and that was to give them some protection.
The second fiddle. I can get plenty of first violinists, but to find someone who can play the second fiddle with enthusiasm
I keep a fiddle hooked up in the music - we've got a music room - and try to pick it up.
To me, when you play in the middle of the field or when you play safety, you have to do so much communicating that you've got to kind of watch the whole offense. You can't just pick a guy or just pass plays.
I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
I play guitar all the time, and I'm constantly thinking of songs... Every time I pick up a guitar, I come up with different riffs, all different bands I've been in. Sometimes there is a song or riff that could only belong with Slipknot, and I just can't use it for anything else, regardless of whatever happened.
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting, you can just pick up a piece of chalk, a stick, or whatever. In sculpture, you can get a rock. Writing, you just need a pencil and paper. Film has been a very elitist medium. It costs so much money.
I have the motto that says, 'Whatever you see in your closet that you like, pick it and wear it.' It's not just your closet, but just your life. Whatever catches your eye. Pick it.
When you're working in the [film] industry and you're working with people who are well known and are so regarded, you do just pick up on things. Seeing the way that people hold themselves and compose themselves before a scene - it's inspirational.
If I could be said to have any kind of aesthetic, it's sort of a magpie aesthetic - I just go and pick up whatever is around. If you think about it, the children were there, so I took pictures of my children. It's not that I'm interested in children that much or photographing them - it's just that they were there.
I just play, just you know, If i just sit down with the guitar and just do whatever for, you know, an half an hour or an hour whatever. That's pretty much, that should do it for me.
I take them both seriously - I don't particularly want to be an 'actor-musician.' I want to play the great challenging parts, to be right for the part, rather than just, 'Oh, he can play the fiddle.'
This site uses cookies to ensure you get the best experience. More info...
Got it!