A Quote by Sam Branson
How do you create a film that can reach millions of people and engage them in the subject? You have to take risks and try something new.
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And let me say this as a politician I can promise you this, political leaders will never take risks if the people do not push them to take some risks. You must create the change that you want to see.
I wish more people would be allowed to take risks and try new things and new ideas because new ideas are what this industry desperately needs. I mean, how many shooters can you make?
It doesn't take a lot of people to create something amazing. It can take one or four people who are really driven and like minded to create something that has amazing meaning and value to millions of people in the world.
Companies have to take risks to get new knowledge, in a manner similar to how jazz musicians take risks when they go after a new approach to a tune or a performance.
I think that's something that investment banks have worried about for a long time and are continuing to worry about, but it's not an easy solution when you have lots of people betting the company's money, how do you really allocate those risks? How do you make sure that the people that take the risks are feeling the risks in an appropriate kind of fashion?
Although there are some enormously gifted lecturers and preachers who do create community with oratory, I like to do anything I can to engage my students with each other, with me, and with the subject. And the subject, I think, always has to take prominence.
Be willing to take some risks in the areas of work and money. If we do only what we think we should do in order to make money and be secure, we won't listen to the intuitive voice that tells us to try something new, to be more creative, or to move on to the next step on our path. When we listen to our intuition and take some risks, we are not alone. The universe will support us and reward us for taking risks on its behalf!
You have to believe in yourself and you have to take risks. You know how people say 30 is new 20 and 40 is new 30? Well I think essentially what that's telling us is there are so many opportunities out there, you don't have to rush into something.
It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them.
Try new things, step out of your comfort zone, take risks, do things in ways you've never done them before, ask for help, surround yourself with self-actualized people, become obsessed with the fact that you have one go-round on this planet as the you that is you, and realize how precious and important it is not to squander that.
I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
There are some risks we choose to take because the benefits from taking them exceed the possible costs. Optimal behavior takes risks that are worthwhile. This is the central paradigm of finance: we must take risks to achieve rewards, but not all risks are equally rewarded.
Enrique Muricano isn't afraid to try something new, to take risks, to possibly fail, and in turn, set himself apart.
The country needs and, unless I mistake its temper, the country demands bold, persistent experimentation. It is common sense to take a method and try it; if it fails, admit it frankly and try another. But above all, try something. The millions who are in want will not stand by silently forever while the things to satisfy their needs are within easy reach.
The film [Dream of Life], in the end, is life-affirming, and I think it's always useful for people to be reminded that no matter how rough things get, no matter what kind of twists and turns our lives can take, we can keep going, we can create something new.
When you hire great actors, you're lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You're happy that you get to watch them at the monitor and that your name is on the director's chair.
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