A Quote by Sam Donaldson

It wasn't until the late '70s that a lot of people knew me. — © Sam Donaldson
It wasn't until the late '70s that a lot of people knew me.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I found dozens of albums I loved every year of the early 70s and more in the late 70s and more still in the decades since, partly because I knew more about music by then and partly because there were more to choose from.
I've never been overexposed or in people's faces, although there are some who argue that in the late '70s and early '80s, I was played a lot!
In the late '70s, the conditions that bands had to endure were, shall we say, not as civilized as they are today. People were a lot more aggressive back then. So there was definitely a lot of suffering for your art. But I would argue that was a good thing. Generally, people make better music when they suffer.
I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.
In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.
There's quite a few people getting into that - new acts coming along that are using a lot of stuff that happened in the 50s and 60s. They're completely ignoring the 70s which is kind of a turn on because to me nothing has really gone down in the 70s.
Indie rock is very healthy, there's a lot of diversity and a lot of creativity, but it does not have the revolutionary spirit of the late-70s punk scene in regards to design and politics and fashion and stuff like that.
I used to be obsessed with game shows. When the Game Show Network became popular in the late '90s, I was all about reruns of 'The Price Is Right.' I knew all the prices from the '70s.
There are certain kinds of people who write science fiction. I think a lot of us married late. A lot of us are mama's boys. I lived at home until I was 27. But most of the writers I know in any field, especially science fiction, grew up late. They're so interested in doing what they do and in their science, they don't think about other things.
I was living in Britain and then America, but it wasn't until I returned to live in Ireland in the late '70s that I really became aware of Seamus Heaney. I discovered quickly that his poems are very accessible.
You are always too late with a development if you are so slow that people demand it before you yourself recognize it. The research department should have foreseen what was necessary and had it ready to a point where people never knew they wanted it until it was made available to them.
The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor.
Experimental film by the '70s had become much more mainstream after 'Bonnie and Clyde' and stuff in the late '60s, when you were seeing bigger movies where people were exploring the medium a lot more.
Well, I've liked Star Wars since the late '70s. I liked it a lot.
Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.
This site uses cookies to ensure you get the best experience. More info...
Got it!