A Quote by Sam Elliott
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
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In the beginning the church was a fellowship of men and women centering on the living Christ. Then the church moved to Greece where it became a philosophy. Then it moved to Rome where it became an institution. Next, it moved to Europe, where it became a culture. And, finally, it moved to America where it became an enterprise.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
As I've gotten older I've got more bass in my voice but also because I don't talk very much during the day I've managed to keep my voice in good condition.
I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.
I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
I always knew I wanted to make music and share music. I followed my dreams and my passion. Et voila! And now it means not just me, but our community, have a voice. There was no internet, twitter, facebook, or instagram back then; now people with shared passions can unite their voice to share their values and thoughts, be heard, and make a difference. It's amazing - everyone can have a voice - and, as ONE, it can be incredible.
I would love to have a chat with Michael Jackson. For the sole purpose of seeing if he has a deep voice or not. A lot of people say he actually had a deep baritone, but then on TV he always had the high pitched squeaky voice. I would love to spend some time with him.
When I started singing, I was going to school. I remember some of the people in school singing, and they had a choir. I would just watch and listen. Finally I started at least attempting to try to do what they was doing. When I was younger, we started going to church. I can't say that we were always, you know, the most church-going people.
People are always fighting for attention with things now because there's so much content. Actually, if you don't tell people stuff - you just keep your mouth shut - you don't have to whisper it, you just don't yell. Take the bullhorn off your mouth and it's a secret.
When I was about forty-three years of age, I had a private secretary with a beautiful baritone voice. I told him I would give anything in the world if I could only carry a tune. He laughed and said, 'Anybody who has a voice and perseverance can sing.'
I think of Gord Downie voice as Whitman-esque. He has a poetic voice that contains multitudes, both the suppleness of the instrument of his voice, and just the lyrical boundaries that he pushes, which are really always thrilling to me.
I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.
I started playing the bass because nobody else would play the bass, and then I got bumped up into singing because no one else really wanted to sing. So I learned how to sing and I wrote the songs, so I tended to get the most attention.
The voice gets to the soul of a person more than any other instrument. Because it's the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We're born with it.
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