A Quote by Sam Elliott

Making movies is never going to get better than working on a Coen brothers project. — © Sam Elliott
Making movies is never going to get better than working on a Coen brothers project.
Their way of working [the Coen brothers] is always kept pretty mysterious. I was so curious to see how they make these movies. It was just such a joy - they seem to have so much fun making their movies.
Anything that is absurd I see as a Coen brothers' influence! The Coen brothers are my favorite people period.
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
Every frame of a Coen brothers movie is filled with history and meaning, and the deeper you go, the deeper you get. That's why their movies stand up particularly well to repeated viewing and investigation.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
It feels like you're being invited into a kind of community [working with the Coen brothers].
The movies I respond to are by guys like the Coen brothers and Edgar Wright, where it's hard to fit them into any one box.
To me, the bones of 'Smokin' Aces' is in the Coen brothers. 'Barton Fink' and 'Raising Arizona.' Those two movies, if you look at them, that's where a lot of that comes from.
I truly respect the people who are working. If they want an autograph from Patti LaBelle, they are going to get it. I have never separated myself from them. I never think you are better than the next one.
Why do I continue making movies? Making movies is better than cleaning toilets.
I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday... that's something that really means a lot to me, and I know I'll have the chance to do it one day.
I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday that's something that really means a lot to me, and I know I'll have the chance to do it one day.
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
The biggest challenge in making movies, boring but true answer is money - you never have enough, so everything gets bootstrapped to death! I learned not only how to be better filmmakers because of it but better janitors, better drivers and better negotiators with cops who wanted to shut me down. You have to get creative.
All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.
This site uses cookies to ensure you get the best experience. More info...
Got it!