A Quote by Sam Fender
I've chronicled a time when I was 17, 18, utterly terrified that you're not gonna get anywhere with whatever you want to do. It's that fear and claustrophobia that I think comes to most people living in small towns. But I am lucky, because I just knew that music was my thing.
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I think the most important thing is to always be involved in every aspect of their life. To give them enough trust that they can share things with you. I don't want them to be terrified of me, you know? But I don't want them to think they can do whatever they want and get away with it, either, because they can't.
Even if you're an optimist, there's some part of you that just tries to toughen up and be pragmatic and go, 'This isn't gonna happen. This isn't gonna happen.' I really felt that way through the process of 'Korra' because I knew 'Avatar,' and I knew how wonderful it was, and I was so terrified.
The next time you encounter fear, consider yourself lucky. This is where the courage comes in. Usually we think that brave people have no fear. The truth is that they are intimate with fear. When I was first married, my husband said I was one of the bravest people he knew. When I asked him why, he said because I was a complete coward but went ahead and did things anyhow.
Most startups are not just built for the person who is using them. When you do that, every now and then you get really lucky and... are representative of some huge class of people who all want the same thing you do... but very often that just turns into a side project that doesn't go anywhere.
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
I can never remember a time when I didn't want to be an actress, to be honest. And so, all through high school, I knew that I was gonna go to college in Los Angeles. I just didn't know where. And I knew that I was gonna try to get my theater degree.
I guess 16, 17, 18, that whole period was a dark time for me. I guess it was a hormonal thing, going through all those changes as a young woman, learning who you are and being comfortable with yourself, and also, which goes along with that, boys. It was definitely an unhappy, 'Who am I?' period. 'Who am I gonna be?'
I’ve been thinking about that ever since. Am I lucky? Am I lucky that I didn’t die? Am I lucky that, compared to the other kids here, my life doesn’t seem so bad? Maybe I am, but I have to say, I don’t feel lucky. For one thing, I’m stuck in this pit. And just because your life isn’t as awful as someone else’s, that doesn’t mean it doesn’t suck. You can’t compare how you feel to the way other people feel. It just doesn’t work. What might look like the perfect life—or even an okay life—to you might not be so okay for the person living it.
You have to treat people the way you want to be treated, because ultimately, you're not gonna get anywhere if you're just mean to people.
I'm not afraid of flying; I just fear I'm going to die. I think I'm - vulnerable. I admit it. I don't fly. I got claustrophobia. I don't go in high buildings. I don't do those things. I'm just myself, whatever that is.
I think that 'Sound of My Voice' is about the claustrophobia of living today, and how do you crawl out of the claustrophobia towards the light?
I speak at a lot of banquets in small towns, because small towns have so many great people.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
I think we are living in an era of being hyper-concerned about, Is it us? Because we have this historical awareness. People really want to know: will it be us or our kids or our grandkids to live through this? We don't want it to happen, we don't want to be the ones with the poisoned water, but at the same time, I think there is this curiosity, like, Am I one of the "lucky" ones who gets to be here at the end? That's the tension I'm interested in.
You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.
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