A Quote by Sam Harris
Take a moment to reflect upon the existence of the musical The Book of Mormon. Now imagine the security precautions that would be required to stage a similar production about Islam. The project is unimaginable—not only in Beirut, Baghdad, or Jerusalem, but in New York City.
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I've lived in New York all my life, and we went to the Mormon Pageant each year in upstate New York. It still is a wonderful production. I remember going and seeing the performance and listening to the music. My father had Mormon Tabernacle Choir music, and we would listen to it and sing with it.
There hasn't been a lot written about it in the Western media. But in the Arab world, and Western Asia as a whole, Baghdad was always known as a famously bookish, intellectual city. There's an old saying that Cairo writes, Beirut publishes, and Baghdad reads.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
A good analogy [Charlie Hebdo] in lots of ways is "South Park" - the hugely popular American cartoon show - and the things that the "South Park" creators have created, like "The Book Of Mormon," the Broadway musical. If I were a devout Mormon, I would be offended by a lot of things that go on in "The Book Of Mormon," right? It mocks mercilessly the pretensions to truth of Mormonism and the pretensions to virtue of Mormon missionaries.
And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
I would absolutely be interested in doing a Broadway production if it was the right project. But my dream is to be writing pieces of theater for my best friends and putting on plays in New York City and seeing our vision come alive. I just hope to always be creating.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
I had thought that Tokyo would be like New York City, but it wasn't. I'd imagined that they'd be similar in their bustle and noise level, but, in fact, Tokyo is a very calm metropolis. The bright lights and hectic night-life images so often found in advertisements and Western media do not reflect every day Japan.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
The VIP area, which is geared to live entertainment, is a black-lit stage with a neon painting resembling New York City on the walls. It's supposed to resemble New York City, ... Look, we even have the Twin Towers on there.
When I was about 12, I saw Mark Rylance do this play in New York City called 'Jerusalem' and that really changed the game for me.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
For Beirut it was the civil war, and the dividing of the city - which is something that is shared among Beirut, Berlin and Baghdad. And Cairo is a city that has a scar that was born after many decades of dictatorship - oppression shaped the people's lives, and forced people to grow up accompanied by fear. I belong to a generation that, whether we like it or not, was shaped by this fear of death or loosing the people you love, the threat of war, not allowed to be yourself, forced to be silent - as you watch ignorance occupying everything around you. And this is a deep scar.
If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.
My parents retired to New York City, and my brother and both of my sisters ended up in New York City. We are all New York City transplants from Pennsylvania.
Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write.
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