A Quote by Sam Heughan
I'd always gone to the theater as a child every month to see whatever was on. I think that's where the passion for it came from.
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Passion. The life of an entrepreneur is occasionally exhilarating, and almost always exhausting. Only unbridled passion for the concept is likely to see you through the 17-hour days (month after month) and the painful mistakes that are part and parcel of the start-up process.
I'd love to go back to Greek times and see the birth of theater and performing, in that time. It would be so extraordinary to see the need that theater came out of, in the first place. I think we could probably all learn a bit from that.
But you know: you know that if I could have stayed, if I could have gone on, that I would have clutched every second: whatever it was, this death, you know that it came and took me, like a child carried away by goblins.
Part of my passion for all things Christmas is seeing my holiday stuff again every December. I suppose I do have more than most folks, so the reunion each winter keeps me in the holiday spirit for a full year. And there are always a few pieces out in my house whatever the month.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
All other passions build upon or flow from your passion for Jesus. A passion for souls grows out of a passion for Christ. A passion for missions builds upon a passion for Christ. The most crucial danger to a Christian, whatever his role, is to lack a passion of Christ. The most direct route to personal renewal and new effectiveness is a new all-consuming passion for Jesus. Lord, give us this passion, whatever the cost!
I felt it was really important to come here to see what was happening in New York. So, I came to see film and accidentally I stumbled upon theater, so I discovered Andre Gregory, Richard Foreman, Robert Wilson, and theater became my first anchor.
Now here's what I'm saying: I've always believed that every other month we hear about compromisation of bank records, I think that's the CIA and the FBI. Now let me tell you why I'm saying this. I don't believe no insignificant pip-squeak is going to be able to pull this off month after month and we can't find out what's going on.
When I was around 13 or 14, there were visits to the theater, which really ignited my passion. Going to see live theater is when I properly got the bug and hoped I'd be able to do it for a living one day.
My parents set a fantastic example for me in that their passion came from theater.
I was always restless, always a roving spirit. When I was a little child I was always running away. I never got very far, but they were always having to come and fetch me. Once when I was about six, my father came to get me somewhere I'd gone, and he told me later he'd asked me, "Why are you so restless? Why can't you stay here with us?" and I said to him, "I want to go and see the world. I want to know the world like the palm of my hand.
I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. We've got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
You know, I think I was always intrigued by theater since I was a small child.
I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. Weve got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.
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