A Quote by Sam Hinkie
I don't know if six picks in a draft is a record, it's not the kind of thing I would look at, but it's unusual.
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I've been a lot of places and worked with a lot of different guys. High draft picks. Low draft picks.
On draft day, I wasn't really nervous at all. Then you turn on the draft, the first five picks go by, and then you still thinking, 'Oh man, I don't know where I'm going to go.' It's really just, by the time draft hits, that's when you get nervous.
I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.
I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
You look at my career, everywhere I went - Miami, Green Bay, Cleveland, Philly - they were always bringing in draft picks and former first-rounders and guys with free-agent deals to take my job.
I was unusual looking - I didn't have the look of that time. If you look at 'Lucas' - and, basically, my first five or six movies - the characters are not described in the scripts as attractive people.
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
For the Broncos, they're kind of in a rebuilding stage with a lot of young guys and here I am, 10 years in the league, ready to be a free agent. I think it was best for the Broncos to trade me for the draft picks and try to build.
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
You know, that's kind of the thing, I can't freestyle and I used to always wonder why I couldn't, and when I would try once out of every six months, but I was always a great writer!
Sometimes, obviously it's an incentive to tank if you have the opportunity to get those high draft picks.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
I don't want to give up multiple draft picks for a rental player who is going to be our ninth man.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
Afraid no, I wasn't afraid but it was an unusual thing, it was an unusual feeling. It was an unusual atmosphere for me having grown up in this country and, and, and never seeing anything like that.
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