A Quote by Sam Hunt
I've had a lot of folks tell me that my songs weren't quite country because they didn't really sound like anybody that had come along and done it before me. I felt a little out of place for a while.
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I would get songs sung to me, like 'Old Man River, 'or kids would call me Mississippi and things like that. At the time, I wished I had a name that blended in more with my surroundings. Now, though, I've really learned to love it. From fifteen, I really liked it. It felt appropriate. Before that, I don't think it quite fitted me. I had to grow into it.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I felt like I was an outsider. I think what happened to me made me develop this street sense of watching people and working out what made them tick, wondering whether I could trust them or not. I went to a lot of schools along the coast in California, made few friends and stayed with aunts, uncles and grandparents while my folks tried to make ends meet. It was tough. We had no money.
I thought it would be cool to Skype with fans on their birthday and spend, like, a half-hour with them. I did a couple of two-hour Skypes. I just hang out with them and play songs and stuff. At first they're kind of shy, but after a while they open up. I've had a lot of people tell me I'm doing something no one has ever done before.
I never had had a large group of friends, so I often felt a little out of place and like I was in a different mindset from everyone else around me because I was so focused on my acting career.
'Beautiful Loser' had a lot of great records. It had a lot of really heartfelt songs on there. But I felt, at the time, it didn't have it's own cohesive sound.
I felt like the luckiest kid in the world because God had put me on the ground in Texas. I actually felt sorry for those poor little kids that had to be born in Oklahoma or England or some place. I knew I was living in the best place in the world.
Falling in love in high school and falling out of love - it's very digital. I've had breakups where they've called me to tell me we were done, and I've gotten a lot of text messages from an old girlfriend letting me know how she felt about me after we had ended everything.
My husband once said he'd never met anybody who walked so fast and ran so slowly. As I said, it's a little hard for me to try new things, and this was me facing a fear that I'd had my whole life. Since I had no experience running, I felt like a failure before I'd even begun.
I had someone tell me recently that Black Dog had started this important conversation about mental health that had saved their marriage. It's really quite mad how these songs have travelled.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
I wrote 'Torches' before experiencing touring as a band. I really had no idea what they would sound like live, and that was something we had to figure out along the way.
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
He kissed me hard and I kissed him back harder, like it was the end of an era that had lasted all of my life.
Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really - all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
There's probably some buried conservative inside of me, coming out like a little gremlin in my belly that I've suppressed. This is a sort of character I've done before: He's kind of dumb and he's kind of arrogant, and a little seedy. A little coke-y. He's gotten into the cocaine or he's had too much coffee. It's been pretty fun. Not all the songs are like that but it sort of creeps in there.
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