A Quote by Sam Huntington

Anytime you test for a TV show, you have that bit of squeamishness entering into it because they lock you in for a number years. — © Sam Huntington
Anytime you test for a TV show, you have that bit of squeamishness entering into it because they lock you in for a number years.
I find the film world very romantic. I want to try to be in more movies. When you're on a TV show and you do the same thing for years and years, it can get a little bit boring.
'The Comeback' is my favorite TV show of all-time because it's just brill. It's Lisa Kudrow's show about what it's like to be an actor on a TV show. She's so amazing on it.
Let's start with some of the reasons that the press holds its tongue and some of the things that you don't know because of this. We'll begin with squeamishness, prudishness, timidity and an overdeveloped fear of offending someone... So much for squeamishness and prudishness. There are many other reasons that we editors fail you in this pact you and we have. Let me name a few more: Orthodoxy, conventional thinking, a misplaced pleasure at being on the inside, incompetence and laziness.
Orange Is the New Black' is the womanliest TV show that has ever existed. It doesn't merely pass the Bechdel test, it gets all As and goes straight to Oxbridge, even though it's only three years old.
The Syfy channel was looking for a show to run alongside 'Ghost Hunters' and investigate the paranormal in a different way. For a TV show, it has a bit of comedy, a bit of travel, and you get these thrilling paranormal investigations as well. It's a complete package.
During seventy years of TV, the audience came to feel that the rules are, you can't kill the second lead on your TV show! Whatever's going to happen, it's all okay because there's no way they can kill the star.
I did a TV show called 'Lenny Henry Dot TV' a couple of years ago and I hated it. These things always happen when you don't have time to reflect. And I didn't do anything on the telly for three years.
All the fascination of King Solomon's Mines seems to be behind those great mountains and this I may add is a bit of advance work for mother, an entering wedge to my disappearing from sight for years and years in the Congo.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
The way I see it is, you can be a character on a TV show for years, then the TV show gets cancelled and your favorite actress or favorite comedian, you don't see them for a little while and then you see them back doing something else. You can still be enjoying them performing on TV.
I'm starting on Cirque du Soleil Michael Jackson show. So it's the equivalent of the Beatles' Love show they have, or the Elvis show. Which is exciting and terrifying all at the same time because it's such a huge responsibility. But that's why I took it on, because Mike was such a huge part of my career and life. we were friends for 20 years before he passed, since I was seven. So it's an opportunity for me to give back a little bit to his legacy.
Anytime I do a movie or a TV show, I make them aware of my hearing loss at the beginning, and that makes it much easier for all of us to communicate and get the job done.
Obviously there's a lot more to a TV show than just a book... I think adaptations are a bit tricky for the screenwriters because they're worried about upsetting the author.
Now, I've never hosted a reality TV show, but I know the true mark of a successful businessman is not the number of times you say, 'You're fired.' It's the number times you say, 'You're hired.'
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
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