A Quote by Sam Jaeger

I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?' — © Sam Jaeger
I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
I probably get strangers coming up to me two or three times a week to just say something nice. I get more than my share of compliments as I walk through my daily life. I'm not having to show off or make a point about how good I am at doing something. I think I've always kind of been that way.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
When good things are coming, there are always some people who haven't been doing good who will try and stop it. But if you believe in what you are doing and are strong enough, then you achieve it. People know who I am and what I have done.
I think we came out and got the first goals fairly easily and fairly quickly. All of a sudden they started to change the defense and they changed things up on us and I thought we got a little too comfortable. I give their goalie credit, he made some very good saves, but we just wanted to score. We changed some things halfway through the fourth quarter and we were able to generate some shots. I think for most of the year we've been good on offense. We haven't really struggled like that. We knew coming into the season that we'd have to share the ball on offense and really be efficient.
I'm John McEnroe-like. I'm coming forward every opportunity I get. My wingspan covers some ground at the net. My serve is OK. I can move it around enough. My groundstrokes are good enough to hang in a rally with a good player. But generally, my goal is to put away a point quickly.
It takes me some time to get into what I am doing - since I am not a trained actor, I don't have that skill. I have to think of what I am doing and how it comes through.
In the past decade, there have been a lot of friends or directors, either gossiping or telling me directly, "What you're doing now is the right thing, your main concern should be taking care of yourself, and not doing action at your age." Well, after first feeling angry, I'd think, to be honest, I really am older. So I thought, all right, but before I retire I'd like to make one last major action film, one good one.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I'm not gonna play a part that doesn't instill some kind of fear in me. If I read a part, and suddenly, I'm thinking halfway through, 'I'm not sure I could get away with this,' I think of everything I can think of to keep me from doing it, that's the one I should do.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
I am so secure in who I am. I really am! And I'm not conceited. I just think, 'Wow, okay, that's the life you want to live.' It wasn't about who he chose. I mean, I had moments, 'Am I not sexy enough? Am I not pretty enough? Am I not smart enough?' But in so many of those questions, I immediately stopped and said, 'No, don't start doing that.' Because you can get stuck in that cycle and you can carry on to other things.
If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.
At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
When I begin a film, I want to make a great film. Halfway through, I just hope to finish the film.
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