A Quote by Sam Kean

What I find fascinating is the idea that we all have a physical brain, but we also have this mental part, and we have to figure out how they work together. — © Sam Kean
What I find fascinating is the idea that we all have a physical brain, but we also have this mental part, and we have to figure out how they work together.
Management is getting people together to figure out how to transform inputs into outputs. In the process of figuring out the process of how people work together, you've got to figure out who's got what responsibilities, and how do they work together.
That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
I'm not a great student, so I don't know that I would have been a great detective. Part of my brain sort of works that way, like wanting to figure out puzzles and figure out what happened and why people do the things they do and who they are and how it happened.
Everything, living or not, is constituted from elements having a nature that is both physical and nonphysical - that is, capable of combining into mental wholes. So this reductive account can also be described as a form of panpsychism: all the elements of the physical world are also mental.
I find human behavior to be fascinating, which is probably why I'm an actor, and I think that there are a lot of dangerous misconceptions about mental illness in our society, and I would like to be a part of remedying that - particularly the stigma that surrounds so many mental illnesses.
With the advent of digital imaging I made the transition from trying to figure out how to do things to creating objects, characters and the whole cloth. It kind of freed up the analytical part of my brain and I had the opportunity to use more of the creative side of my brain for how things interact with light and integrate into stories.
I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.
The physical part was one thing. Whatever - I broke my face; that'll heal. The mental aspect was the biggest shock to the system. You just don't know how to experience stuff like that. You don't have any control over it, either. It's just how your body and brain reacts to something like that happening.
I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.
We discount the physical, when, in fact, much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
There is a great overlap of tragedy that played out through the generations of the Lincolns. That, coupled with the idea that many people consider Lincoln our greatest president ever and the fact that he was also a man assassinated at the age of 56 and had a widow with mental problems is what makes it all so fascinating.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
Literature has become too psychological. We discount the physical, when in fact much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
I find that the creative side of my brain and the archival side of my brain don't work well together. When I've done my best work, I've been in a trance-like state.
I really don't understand how bipartisanship is ever going to work when one of the parties is insane. Imagine trying to negotiate an agreement on dinner plans with your date, and you suggest Italian and she states her preference would be a meal of tire rims and anthrax. If you can figure out a way to split the difference there and find a meal you will both enjoy, you can probably figure out how bipartisanship is going to work the next few years.
We have no idea how the subjective quality of consciousness emerges from the physical stuff of the brain.
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