A Quote by Sam Kean
In a vague way, I always knew neurosurgery was different - more delicate, more difficult, more demanding. After all, we say things like, 'I'm no brain surgeon,' for a reason.
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I've always been interested in the paranormal, but 'Gray Matter' is a more subtle, mature expression of that - looking at the powers of the brain and more delicate evidence of the extraordinary.
I like things that are never one way. Usually, emotionally, I make the films based on a type of energy. I try to work with things that are more difficult to articulate. And so, that's more of a feeling. And so, the things that have attracted me are more of the things that are morally complicated or emotionally complicated.
I think the reason that I like so many different games is because I like the way my brain works when I'm playing games. It's more fun.
I would never stop watching film. The reason why I say I like the old ones is I like the subject matter better. I thought they had more variety to them, they had more romantic comedies and things that appealed to me more.
Actually touring solo is a little more difficult. It's more demanding than being under the "wing" of the band, no pun intended. It's more intimidating to sing in front of smaller crowds. The buck stops with me.
I always try to push through fear. I won't be crippled by it. People say, "Oh you take such risks", or "You're brave." And I'm like, 'Well, if you knew - inside I'm really frightened!' But the way people navigate fear and pain is fascinating... The more you feel, the stronger the pain. And the more you engage in life, the more you have to lose.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
I suspect the reason is that most people [...] have a residue of feeling that Darwinian evolution isn't quite big enough to explain everything about life. All I can say as a biologist is that the feeling disappears progressively the more you read about and study what is known about life and evolution. I want to add one thing more. The more you understand the significance of evolution, the more you are pushed away from the agnostic position and towards atheism. Complex, statistically improbable things are by their nature more difficult to explain than simple, statistically probable things.
The more I come to understand music, the more I feel like a numbskull because there is always more to learn. The more I do it, the more I'm humbled. I'm just always trying to get better at it. I pick up a few tricks along the way.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Drink has shed more blood, hung more crepe, sold more homes, plunged more people into bankruptcy, armed more villains, slain more children, snapped more wedding rings, defiled more innocence, blinded more eyes, dethroned more reason, wrecked more manhood, dishonored more womanhood, broken more hearts, blasted more lives, driven more to suicide and dug more graves than any other evil that has cursed the world.
We are little animals walking on the ground, we have a certain life time, we are acting and interacting with different people, and we are trying to build things, but we are just some sort of virus compared to the entire sky. You always have to remember that the moon, the earth, the sun, they are like the real universal objects. We are just passing by, and it makes life more beautiful to think that way. More relaxing to think that way, that nothing is really important, because you give yourself much more confidence and you forgive yourself more things when you think about that.
When I say 'The Hunger For More', it could be referring to more success. It could be more money, or respect, more power, more understanding. All of those things lead up to that hunger for more, because my more isn't everybody else's more. I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get. God forbid anything happen to me, my family is straight. So anything that happens after this is just me progressing as a person.
In a certain way, sometimes it does feel like we say goodbye to a character, and we don't want to bring them back unless we have a good reason. We left the door open if we wanted to use him more. I always think it's better to leave the audience wanting more.
I think the definition will change as we learn more, but my working definition of solving the brain is: one, we can model, maybe in a computer, the processes that generate things like thoughts and feelings, and two, we can understand how to cure brain disorders, like Alzheimer's and epilepsy. Those are my two driving goals. One is more human-condition oriented, and one more clinical.
It was one of those strange moments that came to him rarely, but never left. A moment that stamped itself on heart and brain, instantly recallable in every detail, for all of his life. There was no telling what made these moments different from any other, though he knew them when they came. He had seen sights more gruesome and more beautiful by far, and been left with no more than a fleeting muddle of their memory. But these-- the still moments, as he called them to himself-- they came with no warning, to print a random image of the most common things inside his brain, indelible.
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