A Quote by Sam Keen
Soul grows in communion. Word by word, story by story, for better or worse, we build our world. From true conversation - speaking and listening - communication deepens into compassion and creates community.
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I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
Listening is a rare happening among human beings. You cannot listen to the word another is speaking if you are preoccupied with your appearance, or with impressing the other, or are trying to decide what you are going to say when the other stops talking, or are debating about whether what is being said is true or relevant or agreeable.
Such matters have their place, but only after listening to the word as the word is being uttered.
Listening is a primitive act of love in which a person gives himself to another’s word, making himself accessible and vulnerable to that word.
When I was eight years old, I played a story game with my younger brother and sister to help them fall asleep. The 'word-story game' was where they would choose a word and I would create a story. Acting and directing are similar to this game, where I am given the words then I fill in the life of the characters.
For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the spoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in the darkness and Against the Word the unstilled world still whirled About the center of the silent Word. Oh my people, what have I done unto thee. Where shall the word be found, where shall the word Resound? Not here, there is not enough silence
The word "story" is short for the word "history." They both have the same root and fundamentally mean the same thing. A story is a narrative on an event or series of events, just like history.
This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
The writing is clean. I really wouldn't have changed a word. Most of it is true, too, except that the hero quits drinking and the girl grows up. On the last page, the couple gets married, which is a nice way for a love story to end.
The worst part was that I had things I wanted to tell my mother, too many to count, but none of them would go down so easy. She'd been through too much, between my siters-I could not add to the weight. So instead, I did my best to balance it out, bit by bit, word by word, story by story, even if none of them were true.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
I treasure the Bible. I live in it and work on it all the time. But it is not the word of God. It's the tribal story of a particular people, and the best thing about that story is that the story keeps growing and evolving.
Everything, in the end, comes down to timing. One second, one minute, one hour, could make all the difference. So much hanging on just these things, tiny increments that together build a life. Like words build a story, and what had Ted said? One word can change the entire world.
We are in love with the word. We are proud of it. The word precedes the formation of the state. The word comes to us from every avatar of early human existence. As writers, we are obliged more than others to keep our lives attached to the primitive power of the word. From India, out of the Vedas, we still hear: On the spoken word, all the gods depend, all beasts and men; in the world live all creatures...The word is the name of the divine world.
Plays are about understanding what happens, what it means. If we just leaned into the story, for lack of a better word, it would still be a powerful story but, like delight, it might disappear an hour after you saw it.
When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.
Sometimes language gets in the way of the story's feelings. The reader finds himself experiencing the language of the story rather than the story. The words sit there on the page like coins, with their own opacity, as though they're there for their own sake. "A man goes into a phone booth, stirring coins in his palm." "Stirring" is such an obviously selected word. You can feel the writer looking for the word as he sat at the typewriter.
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